Ochre Editions
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The 20th century

Works made in the 20th century, anywhere in the world.

189 works · hang 6243 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. The Sprout Lot, by J. Francis Murphy, 1915
    The Sprout LotJ. Francis Murphy, 1915Courtesy of the Smithsonian American Art Museum
  2. This is an image of a bonnet and its details. The drawing showcases a bonnet with intricate design and texture. The bonnet is viewed from the side, revealing its woven structure with patterns representing fabric pleats or folds. It has a long ribbon hanging from the back, depicted with flowing lines. There are also two smaller sketches showing the bonnet from the back, emphasizing its shape and construction. The background is plain.
    BonnetBessie Forman, c. 1936Courtesy National Gallery of Art, Washington
  3. The image shows a small intricately decorated wooden structure with an arched top and a central door flanked by two metal hinges. The structure is painted with a floral and vine motif in colors such as red, green, and yellow on a light background. The wooden door has a textured appearance. The object is positioned centrally with the door facing forward, placed on a slightly elevated base with two footings extending forward. The overall look is ornate and symmetrical, showcasing detailed design work.
    Tabernacle (Ecclesiastical Furniture)Cornelius Christoffels, c. 1938Courtesy National Gallery of Art, Washington
  4. The Creation, by Kálmán Kubinyi, before 1927
    The CreationKálmán Kubinyi, before 1927Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. This is a drawing of two ornate elephants. The image depicts two stylized elephants, each adorned with decorative elements. Both elephants are shown carrying a structure on their backs, resembling a small tower or box with a red domed top. The left elephant is turned to the side, its trunk raised. The right elephant faces forward. Each structure on their backs is detailed with intricate designs, including a diamond shape on the side. The overall composition suggests a ceremonial or regal theme. The subtle use of colors like red and gold enhances the ornate appearance. The coloring and shading indicate an attention to detail typical of deliberately crafted illustrations.
    Iron Bank ElephantZ.S. Lupus, c. 1938Courtesy National Gallery of Art, Washington
  2. This is a drawing of a tool with intricate patterns. The tool appears elongated with a pronged end, and features symmetrical geometric designs etched along the handle. The drawing also includes a side profile showing its slender form.
    ForkAnthony Zuccarello, c. 1936Courtesy National Gallery of Art, Washington
  3. The image shows a large wooden chest with intricate floral patterns on the front panels. The color palette consists of various shades of brown, emphasizing the natural wood tones. The chest is centrally positioned on a plain background with subtle shadows indicating it is slightly elevated.
    ChestIrving I. Smith, c. 1936Courtesy National Gallery of Art, Washington
  4. The image shows a wooden frame with six vertical cylindrical pegs evenly spaced. The color palette consists of light and medium brown tones. The structure is angled to the right with four visible legs. In the bottom left corner, there is a smaller sketched diagram with measurements.
    Candle MoldVincent P. Rosel, c. 1936Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. This is a drawing of a furniture design with detailed measurements and decorative elements. The drawing depicts a piece of furniture with a combination of drawers and a cabinet, shown from the front and the side. Specific measurements are provided for various parts of the furniture, such as the width, height, and depth. The design features include a decorative carving in relief on the front panel, a detailed cross-section of the knob, and ornamental patterns on the side. The drawing is technical in nature, likely intended for crafting or woodworking purposes, emphasizing the detailed aspects needed for construction.
    Chest of DrawersFlorence Neal, 1935/1942Courtesy National Gallery of Art, Washington
  2. Study for mosaic in the Wisconsin State Capital "Government and Liberty", by Kenyon Cox, ca. 1912
    Study for mosaic in the Wisconsin State Capital "Government and Liberty"Kenyon Cox, ca. 1912Courtesy of the Smithsonian American Art Museum
  3. This is a painting showing two people in nature. The person on the left appears to be running towards the right, with one leg in the air and their arms outstretched. They have tan, golden-toned skin, blond hair, and golden fabric draped loosely around them, billowing backward as they run. On the right is a pale person standing upright in a tree, their arms outstretched. They appear intertwined with the tree, with their feet nestled in the light brown trunk and their head and hands covered in olive-green leaves. The background features indistinct brown shapes against a clear blue sky.
    Apollo and DaphneJohn Singer Sargent, c. 1916/1919Courtesy National Gallery of Art, Washington
  4. Sketch for Mosaic, Wisconsin State Capital, "Justice", by Kenyon Cox, ca. 1912
    Sketch for Mosaic, Wisconsin State Capital, "Justice"Kenyon Cox, ca. 1912Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. This is a drawing of three decorative bonnets. The drawing features three different hat designs, each embellished with lace, ribbon, and bow details. The upper left bonnet is adorned with pink hues and intricate lace, displaying a floral-like bow. The top right bonnet showcases a turquoise ribbon and bow, surrounded by soft lace. The lower bonnet is in grayscale, with shadowing for dimension, featuring a checkered ribbon. Each hat is detailed with line work and shading, conveying elegance.
    CapsUnrecorded American maker, 1935/1942Courtesy National Gallery of Art, Washington
  2. A work made of oil on canvas.
    Farm near DuivendrechtPiet Mondrian, c. 1916Courtesy of the Art Institute of Chicago
  3. The image shows a large, rusted ax with a curved brown handle placed diagonally across the canvas. The color palette consists of muted browns and beiges, highlighting the aged appearance of the ax. Beneath the ax, there is a faint outline sketch of a similar object, and the artist's signature is located to the right of the sketch. The ax is in the upper half of the image, while the sketch and signature are in the center-bottom section.
    Dumb IronAlfonso Moreno, c. 1938Courtesy National Gallery of Art, Washington
  4. The Stubble Field, by Henry Golden Dearth, c. 1909
    The Stubble FieldHenry Golden Dearth, c. 1909Courtesy of the Cleveland Museum of Art