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The galleries · Time and place

The 20th century

Works made in the 20th century, anywhere in the world.

189 works · hang 4589 ·

Share The 20th century, in the galleries

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. The image shows a green glass goblet with a textured, bubble-like pattern on the cup and a smooth stem. The color palette consists of shades of green with varying tones, depending on the glass's thickness and pattern. The goblet is positioned centrally, seen straight-on with the cup's pattern visible across its surface. It rests on a flat surface, slightly above the center of the image.
    GobletRonau William Woiceske, 1935/1942Courtesy National Gallery of Art, Washington
  2. The image shows a large wooden chest with a rectangular design and a keyhole on its front panel. The chest has a weathered look in muted browns and grays. It is positioned in the center with its top, front, and side panels visible. The background is plain and light in color.
    Utility ChestHenry Tomaszewski, 1937Courtesy National Gallery of Art, Washington
  3. The image features a round, ornately decorated object resembling a shield with metallic-looking decorative hinges on its surface. The color palette is primarily earthy tones such as brown, red, and hints of gold. The object is centered in the image, viewed from the front, with engravings decorating its surface. The background is plain and light in color.
    Baptismal FontWilliam Kieckhofel, c. 1941Courtesy National Gallery of Art, Washington
  4. Tradition, by Kenyon Cox, 1916
    TraditionKenyon Cox, 1916Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. The image displays a detailed drawing of a vintage wall-mounted lamp. The color palette consists of primarily browns and earthy tones, with hints of a metallic sheen. The lamp is centered in the image, with its base attached to the right side and extending to the left. A subtle shadow and highlights give the lamp a three-dimensional appearance against a plain, light beige background.
    Binnacle LampHerman O. Stroh, 1938Courtesy National Gallery of Art, Washington
  2. Dutton Lumber Yard, by Thomas Weeks Barrett, 1942
    Dutton Lumber YardThomas Weeks Barrett, 1942Courtesy of the Smithsonian American Art Museum
  3. The image shows a large, rusted ax with a curved brown handle placed diagonally across the canvas. The color palette consists of muted browns and beiges, highlighting the aged appearance of the ax. Beneath the ax, there is a faint outline sketch of a similar object, and the artist's signature is located to the right of the sketch. The ax is in the upper half of the image, while the sketch and signature are in the center-bottom section.
    Dumb IronAlfonso Moreno, c. 1938Courtesy National Gallery of Art, Washington
  4. Thomas Eakins
    Portrait of Mrs. Helen Mac Knight (Portrait of a Mother)Thomas Eakins, (c. 1903)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Section 2, south wall

  1. This painting shows a large jug filled with orange flowers on a woven brown surface, with three small oranges placed in front of it. The bottom half of the jug is a brownish-red color, while the top part and handles are a light tan. The jug is centered, with flowers extending slightly to the sides. The flowers in the vase are surrounded by dark green leaves and buds. The wall behind the vase is a light gray color, and the vase casts a light shadow on it.
    Marigolds and TangerinesFélix Vallotton, 1924Courtesy National Gallery of Art, Washington
  2. The image shows a wooden chair with a tall back featuring three wide horizontal slats. The chair has an upholstered seat, likely grey or muted in color. The color palette consists of natural wood tones and a neutral seat color. The chair is facing slightly to the left with the seat slightly tilted.
    Shaker Side ChairRay Holden, c. 1937Courtesy National Gallery of Art, Washington
  3. The Repast of the Lion, by Henri Rousseau, ca. 1907
    The Repast of the LionHenri Rousseau, ca. 1907Courtesy of The Metropolitan Museum of Art
  4. This is an image of a bonnet and its details. The drawing showcases a bonnet with intricate design and texture. The bonnet is viewed from the side, revealing its woven structure with patterns representing fabric pleats or folds. It has a long ribbon hanging from the back, depicted with flowing lines. There are also two smaller sketches showing the bonnet from the back, emphasizing its shape and construction. The background is plain.
    BonnetBessie Forman, c. 1936Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. The image shows an abstract composition with circular and linear shapes. In the center is a large, intricately patterned circle with concentric rings, zigzag, and radiating lines. Around it are six identical abstract forms resembling birds or wings, radiating outward. The shapes create a symmetrical pattern reminiscent of a rotating wheel or a sunburst.
    Cut Tin CandleholderHal Blakeley, 1940Courtesy National Gallery of Art, Washington
  2. Wrestlers in a Circus, by Ernst Ludwig Kirchner, 1909
    Wrestlers in a CircusErnst Ludwig Kirchner, 1909Courtesy of the Cleveland Museum of Art
  3. Large painting, standing man blue turtleneck, sitting woman with white collar.
    Jacques and Berthe LipchitzAmedeo Modigliani, 1916Courtesy of the Art Institute of Chicago
  4. The image shows a wooden chair with a rush seat. It features ornate details on the backrest. The color palette includes dark wood tones, pale greenish detailing, and a warm yellowish hue for the seat. The chair is centrally positioned in the image, viewed from the front, with no other objects around it.
    Ladderback ChairGerald Bernhardt, c. 1936Courtesy National Gallery of Art, Washington

Walk on

  • The 20th century, room 2
  • Gerald Bernhardt's contemporaries 8 works
  • More American folk and design 90 works
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