Ochre Editions
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The 20th century

Works made in the 20th century, anywhere in the world.

189 works · hang 645 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. This is a drawing of a tool with intricate patterns. The tool appears elongated with a pronged end, and features symmetrical geometric designs etched along the handle. The drawing also includes a side profile showing its slender form.
    ForkAnthony Zuccarello, c. 1936Courtesy National Gallery of Art, Washington
  2. The image depicts a person standing upright. The person has a round face with a small mouth and rosy cheeks, and their hair is styled smoothly with a middle part. They are wearing a long-sleeved dress with a checkered pattern in subdued colors, highlighted with blue bands around the sleeves and hem. The dress has a fitted bodice and a full skirt. Bare feet are visible under the dress. The background is plain and neutral, and there is a signature in the lower right corner.
    Doll - "Emily"Rex F. Bush, c. 1938Courtesy National Gallery of Art, Washington
  3. The image shows a small intricately decorated wooden structure with an arched top and a central door flanked by two metal hinges. The structure is painted with a floral and vine motif in colors such as red, green, and yellow on a light background. The wooden door has a textured appearance. The object is positioned centrally with the door facing forward, placed on a slightly elevated base with two footings extending forward. The overall look is ornate and symmetrical, showcasing detailed design work.
    Tabernacle (Ecclesiastical Furniture)Cornelius Christoffels, c. 1938Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Untitled, by Mildred McMillen, 1915
    UntitledMildred McMillen, 1915Courtesy of the Smithsonian American Art Museum
  2. The image shows a dress with a pink and white vertical striped pattern. The color palette is predominantly soft pinks and whites with subtle shading for light and shadow effects on the fabric. The dress is positioned at the center of the image, with sleeves extending slightly outward to the sides.
    Child's DressLucien Verbeke, c. 1937Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Painting of a pond seen up close spotted with thickly painted pink and white water lilies and a shadow across the top third of the picture.
    Water LiliesClaude Monet, 1906Courtesy of the Art Institute of Chicago
  2. Calligraphic Interior, by H. Lyman Saÿen, ca. 1915
    Calligraphic InteriorH. Lyman Saÿen, ca. 1915Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.
    Cuff LaceErwin Schwabe, c. 1937Courtesy National Gallery of Art, Washington
  2. Eddyville, by Samuel Halpert, 1917
    EddyvilleSamuel Halpert, 1917Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. The image shows a painted artwork within an ornate frame. The artwork features a figure standing with one hand raised. The figure has long hair and a beard, and wears flowing blue and white garments. The background shows an earthy surface and a sky. The frame is gold and elaborately designed. The scene is set against a blank, light-colored background.
    Original Tabernacle, for Communion VesselsDayton Brown, 1936Courtesy National Gallery of Art, Washington
  2. The image shows various shapes and lines within a square border. In the center, there is an abstract circular pattern resembling a stylized floral design. The inner circle contains leaf-like shapes in green, surrounded by a ring resembling petals or decorative motifs. The overall effect is similar to a decorative shield or medallion. The background texture adds depth to the composition.
    Quilt Block - "E. Cooper" DesignFlorence Truelson, 1935/1942Courtesy National Gallery of Art, Washington
  3. This is a drawing of a wooden door panel. It features a detailed rendering of a rectangular wooden door panel with vertical lines. Below the door panel, there is an elevation view showing the construction detail of the door in cross-section, with measurements indicating dimensions and proportions. The color palette is in shades of brown and beige. A signature in the lower right corner attributes the drawing to an artist named Geoffrey Holt.
    One of Original Inside Doors to SacristyGeoffrey Holt, c. 1936Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. Church Bells Ringing, Rainy Winter Night, by Charles Burchfield, December 1917
    Church Bells Ringing, Rainy Winter NightCharles Burchfield, December 1917Courtesy of the Cleveland Museum of Art
  2. The image shows a large fan with intricate feather-like segments adorned with yellow patterns and a bird depiction. The color palette is grey with hints of yellow, brown, and metallic sheen on the ribs. The fan is positioned upright with the handle at the bottom center, and the feathers extend outward in a semi-circular shape.
    Feather FanTulita Westfall, c. 1937Courtesy National Gallery of Art, Washington

Section 4, south wall

  1. A nude woman lying across a brown divan in front of a russet-red wall is loosely painted with areas of mottled color in this horizontal composition. The woman fills the wide canvas so her head is angled into the upper left corner, and her legs extend off the right edge of the composition below the knees. Her long, oval face rests back against the couch, and she looks at us with slitted, almond-shaped eyes under dark, shallowly arched brows. She has a long, straight nose, flushed cheeks, a double chin, and her pink lips are closed. Her breasts fall to each side so we only see the pink nipple closer to us. She has a rounded belly and a triangle of brown hair at her groin. Her arms rest alongside her body. The couch has a low, upholstered arms sweeping down the sides. Black lines in the red wall behind the couch suggest molding or cabinetry. The artist signed the painting in the upper right corner, “modigliani.”
    Nude on a DivanAmedeo Modigliani, 1918Courtesy National Gallery of Art, Washington
  2. This is a painting of a vintage fire hose cart. It is intricately designed, featuring a four-wheeled cart meant to hold a coiled fire hose. The painting showcases the cart's wooden spoked wheels and hose mechanism, as well as ornate wrought iron designs and a brass figure. A bell is depicted above one wheel. The painting captures the craftsmanship of the era and is reminiscent of the style of Charles Demuth, known for his attention to detail and focus on industrial and architectural elements.
    Fire Hose ReelHans Mangelsdorf, c. 1938Courtesy National Gallery of Art, Washington