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19th-century Britain

Works made in Britain in the 19th century.

40 works · hang 356 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. GEORGE JAMES DRUMMOND'S ROOM AT OXFORD, 1853
    George James Drummond's Room at Oxford, 1853George Pyne, 1853Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Large English country landscape painting, farmers with horses, green trees.
    Stoke-by-NaylandJohn Constable, 1836Courtesy of the Art Institute of Chicago
  3. Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, Cairo, by Louis Haghe, 1842–49
    Egypt & Nubia, Volume III, No. 8: Mosque of Sultan Hassan, CairoLouis Haghe, 1842–49Courtesy of the Cleveland Museum of Art

First room, south wall

  1. This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.
    Landscape with Picnickers and Donkeys by a GateJoseph Paul, c. 1830-1880Courtesy National Gallery of Art, Washington
  2. A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.
    The Hall, Levens, WestmorelandJoseph Nash, n.d.Courtesy of the Art Institute of Chicago
  3. Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801
    Portrait of Charlotte and Sarah Carteret-HardyThomas Lawrence, 1801Courtesy of the Cleveland Museum of Art

Second room, south wall

  1. The Entombment, by Sir Edward Burne-Jones, 1879
    The EntombmentSir Edward Burne-Jones, 1879Courtesy of The Metropolitan Museum of Art
  2. The Love Song, by Sir Edward Burne-Jones, 1868–77
    The Love SongSir Edward Burne-Jones, 1868–77Courtesy of The Metropolitan Museum of Art
  3. A work made of graphite on ivory wove paper.
    A Byzantine Well-headFrederic Leighton, 1st Baron Leighton of Stretton, 1852Courtesy of the Art Institute of Chicago

Second room, north wall

  1. A work made of oil on panel.
    The Shadow of DeathWilliam Holman Hunt, 1873-74Courtesy of the Art Institute of Chicago
  2. Large marine landscape of boats on rough waves, storm clouds.
    Fishing Boats with Hucksters Bargaining for FishJoseph Mallord William Turner, 1837–38Courtesy of the Art Institute of Chicago

Third room, north wall

  1. A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.
    Room Leading to the Chapel, Knowle, KentJoseph Nash, 1869Courtesy of the Art Institute of Chicago
  2. Whalers, by Joseph Mallord William Turner, ca. 1845
    WhalersJoseph Mallord William Turner, ca. 1845Courtesy of The Metropolitan Museum of Art
  3. The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.
    NoonDavid Lucas, 1830Courtesy National Gallery of Art, Washington

Third room, south wall

  1. Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.
    The Captive Slave (Ira Aldridge)John Philip Simpson, 1827Courtesy of the Art Institute of Chicago
  2. A work made of brown and black chalks on cream wove paper.
    Study for FestivalSir John Edward Poynter, c. 1875Courtesy of the Art Institute of Chicago