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The 14th century

Works made in the 14th century, anywhere in the world.

39 works · hang 7442 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Handscroll
    Palace ladies tuning a zither (qin)Traditionally attributed to Zhou Fang, 1368-1644Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. Saint Andrew, by Simone Martini, ca. 1326
    Saint AndrewSimone Martini, ca. 1326Courtesy of The Metropolitan Museum of Art
  3. Album leaf
    Dragon among cloudsTraditionally attributed to Chen Rong, 1368-1644Courtesy of the National Museum of Asian Art, Smithsonian Institution
  4. Su Shi (Dongpo) in a Bamboo Hat and Clogs, by Zuigan Ryūsei, before 1460
    Su Shi (Dongpo) in a Bamboo Hat and ClogsZuigan Ryūsei, before 1460Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Dragon pine, by Wu Boli, late 14th–early 15th century
    Dragon pineWu Boli, late 14th–early 15th centuryCourtesy of The Metropolitan Museum of Art
  2. Christ in Majesty with the Virgin and Saint John the Evangelist: Single Leaf from a Book of Rules, by Master of the Washington Coronation, c. 1310–20
    Christ in Majesty with the Virgin and Saint John the Evangelist: Single Leaf from a Book of RulesMaster of the Washington Coronation, c. 1310–20Courtesy of the Cleveland Museum of Art
  3. The Adoration of the Magi, by Giotto di Bondone, possibly ca. 1320
    The Adoration of the MagiGiotto di Bondone, possibly ca. 1320Courtesy of The Metropolitan Museum of Art
  4. "Gushtasp Slays the Rhino-Wolf", Folio from a Shahnama (Book of Kings), by Abu'l Qasim Firdausi, ca. 1330–40
    "Gushtasp Slays the Rhino-Wolf", Folio from a Shahnama (Book of Kings)Abu'l Qasim Firdausi, ca. 1330–40Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. Book Cover, by Italian (Sienese) Painter
    Book CoverItalian (Sienese) PainterCourtesy of The Metropolitan Museum of Art
  2. Saint Julian, by Taddeo Gaddi, 1340s
    Saint JulianTaddeo Gaddi, 1340sCourtesy of The Metropolitan Museum of Art
  3. Orchids and Rock, by Gyokuen Bonpō, late 14th–early 15th century
    Orchids and RockGyokuen Bonpō, late 14th–early 15th centuryCourtesy of The Metropolitan Museum of Art
  4. "The Four Knights of Kai Khusrau in the Mountains", Folio from a Shahnama (Book of Kings), by Abu'l Qasim Firdausi, dated 741 AH/1341 CE
    "The Four Knights of Kai Khusrau in the Mountains", Folio from a Shahnama (Book of Kings)Abu'l Qasim Firdausi, dated 741 AH/1341 CECourtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Mahasiddha Jnanatapa, ca. 1350
    Mahasiddha JnanatapaUnrecorded Himalayan maker, ca. 1350Courtesy of The Metropolitan Museum of Art
  2. Shown from the waist up, a woman wearing a garnet-red robe rests a book and a palm frond against a spiked wheel, all against a gold background in this arched, vertical painting. The woman’s light skin is tinged with pale green, and her cheeks are faint pink. Her shoulders face us, and she slightly looks up and off to our right with gray eyes under curved brows. She has a long, straight nose, and her small, full, bow-shaped lips are closed. Her wavy blond hair is parted down the middle and pulled back at the base of her head. Her red robe has a pattern of delicate diamond shapes and the underside is white, visible where it turns over around the neck. The robe is fastened with a round, gold disk the size of a DVD. Letters there read, “S.K.A.T.E.R.I.N.A.” around the perimeter of a four-lobed, red, blue, and gold geometric design at the center of the brooch. The sky-blue garment beneath her robe has a marine-blue collar. She clasps the palm frond in her left hand, to our right. The hand rests on the book, which is propped against the wheel in front of her, so the frond reaches beyond and above that shoulder, nearly to the edge of the painting. The wheel is edged with short, curving spikes like talons. The woman’s gold crown and round halo blend into the shimmering gold background, which is visibly cracked in some areas. The top of the panel curves up as if into an arch but is cut across the panel over her halo.
    Saint Catherine of AlexandriaBartolomeo Bulgarini, c. 1335/1340Courtesy National Gallery of Art, Washington
  3. The Last Supper, by Ugolino da Siena (Ugolino di Nerio), ca. 1325
    The Last SupperUgolino da Siena (Ugolino di Nerio), ca. 1325Courtesy of The Metropolitan Museum of Art
  4. Folio from a Qur'an Manuscript, by Ahmad ibn al-Suhrawardi al-Bakri, dated 707 AH/1307–8 CE
    Folio from a Qur'an ManuscriptAhmad ibn al-Suhrawardi al-Bakri, dated 707 AH/1307–8 CECourtesy of The Metropolitan Museum of Art