Ochre Editions
SearchSign inCart (0)

The 14th century

Works made in the 14th century, anywhere in the world.

39 works · hang 2671 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. The Assumption of the Virgin, by Bernardo Daddi, 1337–38
    The Assumption of the VirginBernardo Daddi, 1337–38Courtesy of The Metropolitan Museum of Art
  2. Vibrantly colored mythical scene depicting people, animals, and dragons in front of mountains.
    Milarepa on Mount KailashUnrecorded Himalayan maker, c. 1500Courtesy of the Art Institute of Chicago
  3. Saint Catherine of Alexandria, by Pietro Lorenzetti, ca. 1342
    Saint Catherine of AlexandriaPietro Lorenzetti, ca. 1342Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Hanging scroll (mounted on panel)
    The dragon king revering the BuddhaChen Hongshou, 1368-1644Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, by Muhammad ibn Badr al-Din Jajarmi, dated 741 AH/1341 CE
    Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of JajarmiMuhammad ibn Badr al-Din Jajarmi, dated 741 AH/1341 CECourtesy of The Metropolitan Museum of Art
  3. Mahasiddha Jnanatapa, ca. 1350
    Mahasiddha JnanatapaUnrecorded Himalayan maker, ca. 1350Courtesy of The Metropolitan Museum of Art
  4. Simple Retreat, by Wang Meng, ca. 1370
    Simple RetreatWang Meng, ca. 1370Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. Dragon pine, by Wu Boli, late 14th–early 15th century
    Dragon pineWu Boli, late 14th–early 15th centuryCourtesy of The Metropolitan Museum of Art
  2. Handscroll
    Palace ladies tuning a zither (qin)Traditionally attributed to Zhou Fang, 1368-1644Courtesy of the National Museum of Asian Art, Smithsonian Institution
  3. This is a drawing of a decorated manuscript page. The image features an ornate design with illuminated letters and intricate floral borders. The text is in Latin, written in a Gothic script, with larger, stylized letters at the beginning of paragraphs. Floral motifs and vine patterns, painted in vibrant colors including gold, blue, and red, frame the text. Illustrations of a bird and a peacock are integrated into the decorative borders. A small heraldic shield appears just below the middle of the page, adding a heraldic element to the composition. The craftsmanship and artistry associated with illuminated manuscript traditions are showcased, inviting viewers to appreciate the detailed embellishments and the skillful blending of text and imagery.
    Manuscript Leaf from a Book of Hours (incip. Passionis)Unrecorded French maker, 1390Courtesy National Gallery of Art, Washington
  4. Woods and Valleys of Mount Yu, by Ni Zan, dated 1372
    Woods and Valleys of Mount YuNi Zan, dated 1372Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. The Fourth King of Hell, late 1300s
    The Fourth King of HellUnrecorded Korean maker, late 1300sCourtesy of the Cleveland Museum of Art
  2. "Muhammad's Call to Prophecy and the First Revelation", Folio from a Majma' al-Tavarikh (Compendium of Histories), by Hafiz-i Abru, ca. 1425
    "Muhammad's Call to Prophecy and the First Revelation", Folio from a Majma' al-Tavarikh (Compendium of Histories)Hafiz-i Abru, ca. 1425Courtesy of The Metropolitan Museum of Art
  3. Su Shi (Dongpo) in a Bamboo Hat and Clogs, by Zuigan Ryūsei, before 1460
    Su Shi (Dongpo) in a Bamboo Hat and ClogsZuigan Ryūsei, before 1460Courtesy of The Metropolitan Museum of Art

Third room, north wall

  1. Fan (mounted as album leaf)
    Wild geese descending to a sandbarJiang Shen, 1368-1644Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. Hanging scroll (mounted on panel)
    After the rain: fishing nets drying on the shoreTraditionally attributed to Li Tang, 1368-1644Courtesy of the National Museum of Asian Art, Smithsonian Institution