Ochre Editions
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Unrecorded makers

Works whose makers the museums don't name.

126 works · hang 7523 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

First room, north wall

  1. Martha Scolding Her Vain Sister Mary Magdalene, 17th century
    Martha Scolding Her Vain Sister Mary MagdaleneUnrecorded French maker, 17th centuryCourtesy of the Smithsonian American Art Museum
  2. A work made of pigment and gold on cotton.
    Double-Sided Painted Banner (Paubha) with God ShivaUnrecorded Himalayan maker, 16th-17th centuryCourtesy of the Art Institute of Chicago

First room, south wall

  1. A work made of ink and color on hemp cloth.
    Ksitigarbha Bodhisattva with AssemblyUnrecorded Korean maker, late 16th/early 17th centuryCourtesy of the Art Institute of Chicago
  2. Roses in a Vase, 1880/1900
    Roses in a VaseUnrecorded French maker, 1880/1900Courtesy National Gallery of Art, Washington
  3. Leaf from a Book of Hours: The Nativity (recto) and Text (verso), c. 1430
    Leaf from a Book of Hours: The Nativity (recto) and Text (verso)Unrecorded French maker, c. 1430Courtesy of the Cleveland Museum of Art

Second room, south wall

  1. Horse Stable, early 1500s
    Horse StableUnrecorded Japanese maker, early 1500sCourtesy of the Cleveland Museum of Art
  2. A work made of ink and color on hemp cloth.
    Korean paintingUnrecorded Korean maker, late 19th-early 20th centuryCourtesy of the Art Institute of Chicago
  3. A work made of opaque watercolor and gold on paper.
    Ruler Entertained by Dancers in a Paradise GardenUnrecorded Indian maker, Late 18th centuryCourtesy of the Art Institute of Chicago

Second room, north wall

  1. Hanging scroll (mounted on panel)
    Girl in an orange vermillion dressUnrecorded Japanese maker, 1661-1673Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. Seven Jeweled Mountain, late 1800s
    Seven Jeweled MountainUnrecorded Korean maker, late 1800sCourtesy of the Cleveland Museum of Art

Third room, north wall

  1. Portrait of a Boy, ca. 1800
    Portrait of a BoyUnrecorded Italian maker, ca. 1800Courtesy of the Smithsonian American Art Museum
  2. Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560
    Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  3. Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025), 1444
    Royal Reception in a Landscape, left folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025)Unrecorded Persian maker, 1444Courtesy of the Cleveland Museum of Art
  4. Mahasiddha Jnanatapa, ca. 1350
    Mahasiddha JnanatapaUnrecorded Himalayan maker, ca. 1350Courtesy of The Metropolitan Museum of Art

Third room, south wall

  1. This is a drawing of three decorative bonnets. The drawing features three different hat designs, each embellished with lace, ribbon, and bow details. The upper left bonnet is adorned with pink hues and intricate lace, displaying a floral-like bow. The top right bonnet showcases a turquoise ribbon and bow, surrounded by soft lace. The lower bonnet is in grayscale, with shadowing for dimension, featuring a checkered ribbon. Each hat is detailed with line work and shading, conveying elegance.
    CapsUnrecorded American maker, 1935/1942Courtesy National Gallery of Art, Washington
  2. Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana, c. 1700–25
    Hanuman spies Sita in the Ashoka Grove, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700–25Courtesy of the Cleveland Museum of Art