The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), previewed as a 16 by 20 inch giclée reproduction.

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Giovanni Battista Piranesi

Italian, 1720–1778

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)ca. 1749–50

Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)

Sheet: 24 13/16 x 19 1/2 in. (63 x 49.5 cm) Plate: 21 7/16 x 16 5/16 in. (54.5 x 41.5 cm)

Courtesy of The Metropolitan Museum of Art · 37.45.3(27)

A great circular tower rises within a cavernous prison, ringed by stairs, galleries and beams that lead nowhere certain. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A great circular tower rises within a cavernous prison, ringed by stairs, galleries and beams that lead nowhere certain. This impression is of the first state, printed around 1749–50, when Piranesi’s Imaginary Prisons were still airy and sketch-like, etched with a free, rapid line that owes much to stage design. A decade later he reworked the plates with heavy shading and added detail, turning them into darker, more oppressive visions. An early state like this reveals the bold improvisation at the heart of the series.

Written by Ochre Editions.

How it was made

Etching
The artist draws with a needle through a waxy coating on a copper plate, and acid bites the exposed lines. The plate is then inked, wiped and printed under pressure, so the line keeps the freedom of drawing.
Engraving
Lines cut directly into a metal plate with a steel burin, which makes them swell and taper. It took years to master, and for centuries it was how paintings travelled as pictures.

Giovanni Battista Piranesi

Italian, 1720–1778 · Born in Mogliano Veneto; died in Rome.

Piranesi trained in Venice as an architect and stage designer before moving to Rome in 1740, where he spent the rest of his life. He is known above all for his etchings: the Views of Rome, more than a hundred large plates of ancient ruins and modern buildings, and the Imaginary Prisons, vast fantastical interiors of stairs, arches and machinery. A passionate champion of Roman architecture, he also published archaeological studies and designed the church of Santa Maria del Priorato.

Written by Ochre Editions.

See all 4 works by Giovanni Battista Piranesi

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
37.45.3(27)
Credit
Courtesy of The Metropolitan Museum of Art
Type
Prints
Department
Drawings and Prints
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