Study of a Tulip (Wit en root boode), previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Pieter Holsteyn II

Dutch, c.1612–1673

Study of a Tulip (Wit en root boode)c. 1645

Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper

Sheet: 31.2 x 20.6 cm (12 5/16 x 8 1/8 in.)

Courtesy of the Cleveland Museum of Art · 2020.130

This image of a tulip was made as part of a tulip book used as a grower’s marketing tool during the so-called tulip mania, a speculative bubble in 17th-century Holland, when ten tulip bulbs could cost more than a stately Amsterdam canal house. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 12 × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

This image of a tulip was made as part of a tulip book used as a grower’s marketing tool during the so-called tulip mania, a speculative bubble in 17th-century Holland, when ten tulip bulbs could cost more than a stately Amsterdam canal house. The striations on the tulip, which were caused by a virus in the bulb, made it especially valuable. Pieter Holsteyn II was one of many artists in the Netherlands at the time who specialized in botanical illustration.This tulip's Dutch name, inscribed on the sheet, means "white and red messenger."

Text from the Cleveland Museum of Art.

How it was made

Opaque watercolour
Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.

Pieter Holsteyn II

Dutch, c.1612–1673

Dutch Golden Age

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

More from Dutch Golden Age

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2020.130
Credit
Courtesy of the Cleveland Museum of Art
Type
Drawing
Department
Drawings
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

Close in colour

Caps

Unknown maker, 1935/1942