Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome), previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Giovanni Battista Gaulli

Italian, 1639–1709

Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome)c. 1675–1677

oil on canvas

Framed: 81.3 x 68 x 9 cm (32 x 26 3/4 x 3 9/16 in.); Unframed: 67.3 x 55 cm (26 1/2 x 21 5/8 in.)

Courtesy of the Cleveland Museum of Art · 1969.131

This small painting represents the four prophets of Israel: Isaiah, Jeremiah, Ezekiel, and Daniel. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 16¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

This small painting represents the four prophets of Israel: Isaiah, Jeremiah, Ezekiel, and Daniel. It is one of seven oil sketches made in preparation for the decoration of the four pendentives in the Jesuit Church of the Gesù in Rome. The artist, one of the most prominent large-scale decorative painters in Rome, is known for his grand painting of the vault of the Gesù. Giovanni Batista Gaulli followed the Italian decorative tradition by preparing this sketch, called a bozzetto, to work out his ideas before the final fresco was painted. Fresco painting was the most desirable media for public and private locations, created by mixing dry pigment into wet plaster. They are an ideal permanent decoration; however, the process is tedious and thorough preparation is essential to ensure high quality. Oil sketches would aid the artist in creating a final composition and choosing their palette and would be particularly helpful for awkward spaces such as the pendentive, an inverted triangle. In this scene, Gaulli changed his initial composition for the final fresco, balancing the four prophets and young putti with the young Daniel as the most prominent figure motioning toward the dome.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Giovanni Battista Gaulli

Italian, 1639–1709

Baroque

Drama, movement and deep shadow in European art of the 1600s.

More from Baroque

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1969.131
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
European Painting and Sculpture
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

Close in colour