Portrait of the Marquise d'Aguirandes1759
Like many French portraitists active during the ancien régime, François-Hubert Drouais was skilled at veiling the physical imperfections of his subjects. More about this work
About this work
Like many French portraitists active during the ancien régime, François-Hubert Drouais was skilled at veiling the physical imperfections of his subjects. This portrait certainly has this quality: the face has been idealized, smoothed, and perfected, but the focus of the painting is less on the Marquise and more on her elegant gown, which is a particularly fine rendering of eighteenth-century printed cloth, with the brilliant gold and white fabric strewn with meticulously detailed flowers and lace.
Text from the Cleveland Museum of Art.
How it was made
- Oil paint
- Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.
Rights and the museum’s record
Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 1942.638
- Credit
- Courtesy of the Cleveland Museum of Art
- Type
- Painting
- Department
- European Painting and Sculpture
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
