Life Saving Patrol, previewed as a 20 by 16 inch giclée reproduction.

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Edward Moran

born Bolton, England 1829-died New York City 1901

Life Saving Patrolca. 1893

oil on canvas

overall: 36 1/8 x 54 1/2 in. (91.6 x 138.4 cm)

Courtesy of the Smithsonian American Art Museum · 1925.12.3

Many of Edward Moran’s paintings show powerful scenes of shipwrecks and storms that emphasize the struggle between man and nature. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 168 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 11¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Many of Edward Moran’s paintings show powerful scenes of shipwrecks and storms that emphasize the struggle between man and nature. In Life Saving Patrol, however, the sea and the sky appear relatively calm. The dramatic scale of the lifeguard against the moonlit water suggests a balance of power between the ocean and the brave men who risk their lives to rescue its victims.

Text from the Smithsonian American Art Museum.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Edward Moran

born Bolton, England 1829-died New York City 1901

See all 2 works by Edward Moran

Rights and the museum’s record

Public domain. The Smithsonian American Art Museum has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1925.12.3
Credit
Courtesy of the Smithsonian American Art Museum
Type
Painting
Department
Painting and Sculpture
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