"Akbar With Lion and Calf", Folio from the Shah Jahan Album, previewed as a 16 by 20 inch giclée reproduction.

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Govardhan

"Akbar With Lion and Calf", Folio from the Shah Jahan Albumverso: ca. 1630; recto: ca. 1530–50

Ink, opaque watercolor, and gold on paper

H. 15 5/16 in. (38.9 cm) W. 10 1/8 in. (25.7 cm)

Courtesy of The Metropolitan Museum of Art · 55.121.10.22

The emperor Akbar, grandfather of Shah Jahan, sits in state while a lion and a calf lie peacefully together before him, an emblem of the justice of his reign, under which the strong did not prey upon the weak. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 11¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The emperor Akbar, grandfather of Shah Jahan, sits in state while a lion and a calf lie peacefully together before him, an emblem of the justice of his reign, under which the strong did not prey upon the weak. Angels appear above. Govardhan painted this posthumous portrait around 1630 for the Shah Jahan Album, an imperial collection of paintings and calligraphy mounted on richly decorated pages; the other side of the leaf dates from the sixteenth century. Akbar had died in 1605, and such images allowed Shah Jahan to present his own rule as heir to his grandfather’s.

Written by Ochre Editions.

How it was made

Opaque watercolour
Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Ink on paper
Ink made from soot and animal glue, ground with water on an inkstone. A single brush can give a hair-fine line or a broad wash, and nothing can be corrected.

Govardhan

Govardhan worked at the Mughal court for half a century, from the last years of Akbar’s reign through those of Jahangir and Shah Jahan. The son of a court artist, he was celebrated for portraits that combine close observation with psychological warmth, and for sympathetic studies of holy men, ascetics and musicians. His work appears in the great imperial albums, including the album assembled for Shah Jahan.

Written by Ochre Editions.

See all 2 works by Govardhan

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
55.121.10.22
Credit
Courtesy of The Metropolitan Museum of Art
Type
Codices
Department
Islamic Art
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