Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Picture of Men and Women from Many Countries (Bankoku danjo jinbutsu zue)Utagawa Yoshiiku, 1861Courtesy of the Art Institute of Chicago 
Incense Boxes with a Wrapping ClothKubo Shunman, 1808Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Kingfisher and Chinese BellflowersUtagawa Hiroshige, early or mid-1830sCourtesy of the Cleveland Museum of Art 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art 
“Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art
Section 2, south wall

Mount Fuji Rising beyond Miho BeachUtagawa Hiroshige, c. 1838/42Courtesy of the Art Institute of Chicago 
A Spring OutingSuzuki Harunobu, c. 1768Courtesy of the Art Institute of Chicago 
Distant View of Mount Fuji at Dawn from HakoneUtagawa Kuniyoshi, c. 1828/30Courtesy of the Art Institute of Chicago
Section 2, north wall

Standing BeautyKaigetsudo Anchi, About 1714Courtesy of the Art Institute of Chicago 
Women Grating Radish for SashimiKitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art 
Shimosuwa, from Sixty-Nine Stations of the KisokaidōUtagawa Hiroshige, 1835–38Courtesy of the Cleveland Museum of Art
Section 3, north wall

Dyers at WorkKatsushika Hokusai, c. 1800Courtesy of the Cleveland Museum of Art 
Actor Nakamura Nakazô I as Osada no Tarô in The Genji Clan Now at Its Zenith (Ima o sakari suehiro Genji)Katsukawa Shunshō, About 1768Courtesy of the Art Institute of Chicago 
Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
Section 3, south wall

Young man and his party crossing a stream before Mt. FujiKitagawa Utamaro, c. 1798/1800Courtesy of the Art Institute of Chicago 
Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)"Kitagawa Utamaro, c. 1795/96Courtesy of the Art Institute of Chicago