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Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 4722 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of color woodblock print; oban.
    Irises at Horikiri (Horikiri no hanashobu), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  2. Miyako Shell, by Katsushika Hokusai, probably 1821
    Miyako ShellKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art
  3. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu), by Utagawa (Gountei) Sadahide, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō", by Utagawa Hiroshige, ca. 1833–34
    Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art
  2. Two Girls on a Veranda beside a Stream with the Moon, by Suzuki Harunobu
    Two Girls on a Veranda beside a Stream with the MoonSuzuki HarunobuCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; chuban.
    Viewing the MoonSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Tobacco Pouch and Pipe, by Kubo Shunman, 1813
    Tobacco Pouch and PipeKubo Shunman, 1813Courtesy of The Metropolitan Museum of Art
  2. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  3. A work made of color woodblock print.
    Women and Children Viewing the FireworksKatsushika Hokusai, c. 1798Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of color woodblock prints; oban triptych.
    A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago
  2. Screen and Utensils for the Incense Ceremony, by Kubo Shunman, 19th century
    Screen and Utensils for the Incense CeremonyKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  3. “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi), by Kitagawa Utamaro, ca. 1790
    “Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)Kitagawa Utamaro, ca. 1790Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago
  2. Anekawa Daisuke as Ayame-no-mae, by Torii Kiyomitsu, 1760
    Anekawa Daisuke as Ayame-no-maeTorii Kiyomitsu, 1760Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu), by Yōshū (Hashimoto) Chikanobu, November 1887
    Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu)Yōshū (Hashimoto) Chikanobu, November 1887Courtesy of The Metropolitan Museum of Art
  2. Scene from a Play, by Katsukawa Shunjō, ca. 1780
    Scene from a PlayKatsukawa Shunjō, ca. 1780Courtesy of The Metropolitan Museum of Art