Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

Women Beside a Stream Chasing FirefliesChôbunsai Eishi, c. 1796–97Courtesy of the Cleveland Museum of Art 
Hara: Mount Fuji in the Morning (Hara, Asa no Fuji), from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the First Tōkaidō or Great TōkaidōUtagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art 
Precincts of Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1856Courtesy of the Art Institute of Chicago
Section 1, south wall

Vehicles on the Streets of TokyoUtagawa Yoshitora, 1870Courtesy of The Metropolitan Museum of Art 
The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago
Section 2, south wall

Morning Cherries at YoshiwaraUtagawa HiroshigeCourtesy of The Metropolitan Museum of Art 
The actor Ichikawa Omezo as the manservant IppeiTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago 
Miyako ShellKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art
Section 2, north wall

Procession of Russian Marching Band, from the Album of seven prints of Russian Army and Warship (Roshia seigi shashin kan), 1853Keiga, 1853Courtesy of the Art Institute of Chicago 
Two Young Women Playing Cat's CradleIsoda Koryusai, c. 1769Courtesy of the Art Institute of Chicago 
Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago
Section 3, north wall

Kiyomizu Komachi, from the series Futabagusa nana KomachiKitagawa Utamaro, 1790sCourtesy of The Metropolitan Museum of Art 
Foreigners in the Drawing Room of Foreign Merchant's House in YokohamaUtagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art 
Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsutenkyo bashi) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)”Utagawa Hiroshige II, 1859Courtesy of the Art Institute of Chicago
Section 3, south wall

Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago 
Sei Shonagon, from the series Ancient Patterns (Kodai moyo)Kobayashi Kiyochika, Meiji period (1896–1912), 1896Courtesy of the Art Institute of Chicago