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Romanticism

Sublime landscapes, storms and feeling, from about 1780 to 1850.

32 works · hang 9312 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. Luman Reed, by Asher Brown Durand, 1835
    Luman ReedAsher Brown Durand, 1835Courtesy of The Metropolitan Museum of Art
  2. The image shows a man's head and part of his neck in profile view. The man is looking to the left, showcasing his facial features. He has a prominent nose, cheekbones, dark hair with hints of gray at the sides, and a white beard under his chin. He is wearing a gray collar that is partially visible. The background is a plain, muted brown color. There are no objects or jewelry visible in the image.
    Profile of a Man with SidewhiskersUnrecorded German maker, c. 1850Courtesy National Gallery of Art, Washington
  3. The image shows a woman standing upright with a small red book in her right hand. She has a fair complexion, neutral expression, slightly arched eyebrows, and small, rounded lips. Her dark brown hair is styled in an updo with a black accessory. She wears a high-necked dark dress with puffed sleeves and a white collar. The background is plain blue. The woman is not wearing any visible jewelry, and the setting is minimalistic with only the book present.
    Anonymous WomanUnrecorded American maker, c. 1830Courtesy National Gallery of Art, Washington
  4. Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
    Washington Reviewing the Western Army at Fort Cumberland, MarylandFrederick Kemmelmeyer, after 1795Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Peaceable Kingdom, by Edward Hicks, ca. 1830–32
    Peaceable KingdomEdward Hicks, ca. 1830–32Courtesy of The Metropolitan Museum of Art
  2. George Washington, by Gilbert Stuart, begun 1795
    George WashingtonGilbert Stuart, begun 1795Courtesy of The Metropolitan Museum of Art
  3. George Washington, by Charles Peale Polk, ca. 1790
    George WashingtonCharles Peale Polk, ca. 1790Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Queen Victoria, by Thomas Sully, 1838
    Queen VictoriaThomas Sully, 1838Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on canvas.
    Inside the ColosseumFranz Ludwig Catel, c. 1823Courtesy of the Art Institute of Chicago
  3. Panoramic View of the Palace and Gardens of Versailles, by John Vanderlyn, 1818–19
    Panoramic View of the Palace and Gardens of VersaillesJohn Vanderlyn, 1818–19Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. A FRENCH RESTORATION BEDROOM
    A French Restoration BedroomBouilhet, French, 1823Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. The Knapp Children, by Samuel Lovett Waldo, ca. 1833–34
    The Knapp ChildrenSamuel Lovett Waldo, ca. 1833–34Courtesy of The Metropolitan Museum of Art
  3. This painting shows a woman in a tan dress and a tan hat with red flowers, walking on a grassy shoreline, holding a dark purple umbrella. The woman is positioned in the center of the painting, and she faces the left, standing at the edge of the water, looking downward. She has light skin and dark hair put up under her hat. The horizon is high in the painting, where the blue-gray sky and water meet. Small ships are visible in the distance, floating on the horizon. On the right side of the painting, the yellow and green ground curves, sloping slightly downward to meet the water. The painting has loose, visible brushstrokes.
    Woman by the SeasideUnrecorded French maker, 19th centuryCourtesy National Gallery of Art, Washington
  4. Basket of Fruit, c. 1830
    Basket of FruitUnrecorded American maker, c. 1830Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. Fur Traders Descending the Missouri, by George Caleb Bingham, 1845
    Fur Traders Descending the MissouriGeorge Caleb Bingham, 1845Courtesy of The Metropolitan Museum of Art
  2. Four women with musical instruments lounge in a massive garden courtyard.
    The Interior of the Palm House on the Pfaueninsel Near PotsdamCarl Blechen, 1834Courtesy of the Art Institute of Chicago