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Prints of the 17th century

Prints made in the 17th century, from every museum.

55 works · hang 752 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of woodblock print in black ink and watercolor on cream japanese paper.
    The Priest Kobo Daishi at the Tama River in Kii Province from the series The Six Tama RiversTorii Kiyomasu, c. 1725-1735Courtesy of the Art Institute of Chicago
  2. A work made of etching in black ink on cream laid paper.
    A Young Woman Holding a CushionMonogrammist VCP, 1643Courtesy of the Art Institute of Chicago
  3. A work made of etching in black on cream laid paper.
    Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)Jacopo Palma il Giovane, c. 1611Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Drawing of god, radiating light, reaching down from clouds, touching male figure.
    The Creation of AdamGiovanni Benedetto Castiglione, c. 1645/50Courtesy of the Art Institute of Chicago
  2. This is a drawing of a busy street scene with architectural structures and various figures. It depicts a large open area bordered by a grand building to the left and a rounded tower or structure to the right. The left side of the scene is lined with stairs leading up to an elevated walkway or platform, where people are gathered. In the middle and to the right, a crowd has formed, encompassing the space in front of the tower. Various individuals, some wearing distinctive headgear, are seen mingling and gesturing. The architectural details in the background, such as the windows and brickwork of the tower, frame the scene below. A hand-operated apparatus extends from the tower, possibly for lifting goods or supplies. The drawing captures a dynamic urban moment.
    The Slave MarketJacques Callot, 1620Courtesy National Gallery of Art, Washington
  3. The image shows a pastoral scene in black and white with fine line work. A small bridge with a circular archway crosses a stream. A dirt path winds through the landscape flanked by grass and bushes. A rocky cliff ascends on the left with a tower-like structure partially obscured by vegetation. The horizon features a cloudy sky, with swirling lines indicating motion. In the distance, a tall, thin structure, possibly a spire or chimney, stands amid faint hills and trees. The scene conveys a serene atmosphere through hatching and cross-hatching techniques.
    Cascade under a Stone BridgeJan van de Velde II, c. 1616Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. A work made of woodcut on three joined sheets of ivory laid paper.
    The Mocking of ChristWerner van den Valckert, c. 1620Courtesy of the Art Institute of Chicago
  2. The image shows four elderly men around a table. They have long hair and beards, and appear focused as they write or take notes on tablets. They wear classical robes and sit in different postures, engaged in writing or possibly calculating. Two hold writing implements and tablets, while a third holds a scroll. Above them, a seated figure with wings is present. Light rays emanate from a dove at the top, highlighting a celestial influence. An eagle is perched nearby. Architectural elements like columns and arches are in the background. A lion's head is under the table.
    The Four EvangelistsRobert NanteuilCourtesy National Gallery of Art, Washington

Section 2, north wall

  1. The image is a landscape view with a natural scene depicted in fine etching. The horizon is situated towards the middle of the composition, where the land gently rises, and a subtle outline of distant hills is visible. Large rocks and foliage are depicted close to us, with a lone, barren tree extending upwards on the left side. The etching features intricate and well-defined brushstrokes, including thin lines and cross-hatching to create texture and depth. The color palette is monochromatic, with dark tones against a lighter background. In the distance, additional clusters of trees can be seen, rendered with similar linework to convey movement and detail.
    A Rocky PondLaurent de La Hyre, 1640Courtesy National Gallery of Art, Washington
  2. A work made of etching on ivory laid paper.
    A ChaliceWenceslaus Hollar, 1640Courtesy of the Art Institute of Chicago
  3. Books and Cards, by Reisai, 18th–19th century
    Books and CardsReisai, 18th–19th centuryCourtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of etching in black on cream laid paper.
    Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago
  2. This is a drawing of mythical sea creatures in a marine landscape. The central figures are depicted as mythical beings, possibly mermen, with human torsos and fish-like tails, partially submerged in water. One figure prominently holds a large seashell with text written on it. Around them are various other marine creatures and features such as a distant rocky shore, birds flying in the sky, and waves creating a dynamic setting. The drawing is detailed in line work.
    Title Page for "Ornamenti di fregi e fogliani"Stefano della Bella, probably 1648Courtesy National Gallery of Art, Washington
  3. A work made of etching in black on ivory wove paper.
    The Knight and Death, from The Dance of DeathWenceslaus Hollar, 1651Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. The image shows a landscape with rocky terrain, trees, and a stream. In the foreground, there is a bridge with a traveler and a dog crossing over the stream. The scene features detailed linework and cross-hatching to depict texture. The color palette is monochrome brown, resembling an etching or drawing style.
    Goat on a small BridgeAllart van Everdingen, probably c. 1645/1656Courtesy National Gallery of Art, Washington
  2. A work made of etching on ivory laid paper.
    The Grotto of Pan and FameStefano della Bella, 1653/55Courtesy of the Art Institute of Chicago