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The 20th century

Works made in the 20th century, anywhere in the world.

189 works · hang 9868 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.
    Cuff LaceErwin Schwabe, c. 1937Courtesy National Gallery of Art, Washington
  2. Abraham Walkowitz
    Untitled (One Of Six Prints)Abraham Walkowitz, 1903-1925Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  3. The image shows a tall, narrow wooden table with a square top and four long, slender legs. The color palette is warm with shades of light brown and reddish-brown on the table. Positioned centrally, the table stands against a plain, light-colored background.
    Shaker StandRay Holden, c. 1936Courtesy National Gallery of Art, Washington
  4. The image displays a single ornate vase with a bulbous base and a ruffled top, taking up most of the frame. The vase is predominantly pink with red accents, the ruffled top is highlighted with white on the inner edges, and there's a crisscross pattern visible on the body. Against a plain beige background, the vase is centrally positioned.
    Ornamental Ruby VaseRobert Stewart, c. 1936Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Louis Eilshemius
    Samoan SceneLouis M. Eilshemius, 1908Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  2. The image shows a small intricately decorated wooden structure with an arched top and a central door flanked by two metal hinges. The structure is painted with a floral and vine motif in colors such as red, green, and yellow on a light background. The wooden door has a textured appearance. The object is positioned centrally with the door facing forward, placed on a slightly elevated base with two footings extending forward. The overall look is ornate and symmetrical, showcasing detailed design work.
    Tabernacle (Ecclesiastical Furniture)Cornelius Christoffels, c. 1938Courtesy National Gallery of Art, Washington
  3. Still Life, by Preston Dickinson, c. 1924
    Still LifePreston Dickinson, c. 1924Courtesy of the Cleveland Museum of Art
  4. The sculpture depicts a male figure standing upright with one hand raised and the other resting on his hip. The subject is wearing a garment that drapes over one shoulder and a feather-patterned skirt, accessorized with a headband. The colors of the sculpture are predominantly earth tones, including browns and a green headband. The material appears to be a type of stone or ceramic with a polished finish. The figure is slightly larger than everyday objects, allowing viewers to appreciate the intricacies of the carving and the details in the drapery and texture. The statue stands on a rectangular base that is consistent with the overall color palette.
    Cigar Store IndianRosamond P. Gray, 1935/1942Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. A work made of oil on canvas.
    VétheuilClaude Monet, 1901Courtesy of the Art Institute of Chicago
  2. The image shows a beige knitted fingerless glove on a light-colored background. The glove is flat and displayed vertically, with the thumb-piece extending to the left. There is a subtle dark pattern or lettering at the base of the glove. The color palette is warm with beige tones against the light background, emphasizing the texture and design of the glove.
    Knitted GloveElizabeth Moutal, c. 1936Courtesy National Gallery of Art, Washington
  3. Pont des Arts, by H. Lyman Saÿen, 1908-1911
    Pont des ArtsH. Lyman Saÿen, 1908-1911Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. In the Cascade Mountains, by Edward Bruce, 1931
    In the Cascade MountainsEdward Bruce, 1931Courtesy of the Smithsonian American Art Museum
  2. Hillside, by Edward Gay, 1908
    HillsideEdward Gay, 1908Courtesy of the Smithsonian American Art Museum
  3. The image shows two large quilt blocks with a matching design, side by side. Each block consists of red and beige fabric with quilted stitching creating a textured appearance. The color palette includes primarily red, beige, and dark stitching outlining the patterns. The quilt blocks are placed centrally on a light-colored surface.
    Patchwork QuiltPaul Ward, c. 1936Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. The Stranger, by Albert Sterner, 1916
    The StrangerAlbert Sterner, 1916Courtesy of the Smithsonian American Art Museum
  2. The image shows a person standing upright. They have a round face with simple facial features, wearing a hat with a red flower and dark ribbon. Their outfit includes a belted dress or coat, pleated texture, a cape, and arm coverings. The person is holding a matching umbrella in their right hand. The background is plain and light tan.
    Corn Husk DollMina Lowry, c. 1936Courtesy National Gallery of Art, Washington