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The 20th century

Works made in the 20th century, anywhere in the world.

189 works · hang 6885 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. The image shows a painted decoy of a bird mounted on a wooden stake. The decoy has intricate details with spots of yellow and green on top of a dark body. The colors are naturalistic with brown, black, yellow, white, and beige. In the lower left section of the image, there are two line drawings of a bird.
    Snipe DecoyLawrence Flynn, 1941Courtesy National Gallery of Art, Washington
  2. The River, by Maxime Maufra, 1902
    The RiverMaxime Maufra, 1902Courtesy of the Cleveland Museum of Art
  3. Painting of a pond seen up close spotted with thickly painted pink and white water lilies and a shadow across the top third of the picture.
    Water LiliesClaude Monet, 1906Courtesy of the Art Institute of Chicago
  4. This is a drawing of three decorative bonnets. The drawing features three different hat designs, each embellished with lace, ribbon, and bow details. The upper left bonnet is adorned with pink hues and intricate lace, displaying a floral-like bow. The top right bonnet showcases a turquoise ribbon and bow, surrounded by soft lace. The lower bonnet is in grayscale, with shadowing for dimension, featuring a checkered ribbon. Each hat is detailed with line work and shading, conveying elegance.
    CapsUnrecorded American maker, 1935/1942Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. This painting is a birth record for Sarah Campion, daughter of Joseph and Mary Campion, born on November 16th, 1777. It features elaborate calligraphy and ornamental designs. The borders contain floral patterns with red and orange-colored flowers and green leaves. The central text is decorative, and at the bottom are human-like figures in colonial attire standing beside a flower vase. The artwork reflects a style reminiscent of early American folk art, created by an anonymous folk artist capturing the essence of 18th-century American artistry.
    Pa. German Birth CertificateGlenn Pearce, c. 1936Courtesy National Gallery of Art, Washington
  2. Calligraphic Interior, by H. Lyman Saÿen, ca. 1915
    Calligraphic InteriorH. Lyman Saÿen, ca. 1915Courtesy of the Smithsonian American Art Museum
  3. Mäda Primavesi (1903–2000), by Gustav Klimt, 1912–13
    Mäda Primavesi (1903–2000)Gustav Klimt, 1912–13Courtesy of The Metropolitan Museum of Art
  4. The Sprout Lot, by J. Francis Murphy, 1915
    The Sprout LotJ. Francis Murphy, 1915Courtesy of the Smithsonian American Art Museum

Section 2, south wall

  1. The image shows a landscape drawing with buildings, trees, and a winding path or water feature. The drawing is done in black charcoal on brownish background paper, creating a monochromatic color palette.
    Footpaths and Pavilion in the Dresden Grosser GartenErnst Ludwig Kirchner, c. 1909Courtesy National Gallery of Art, Washington
  2. Watercolor no. 31, Landscape with Clouds, by Allen Tucker, ca. 1930
    Watercolor no. 31, Landscape with CloudsAllen Tucker, ca. 1930Courtesy of the Smithsonian American Art Museum
  3. The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.
    The Cliffs of the TrinityJoseph Pennell, 1913Courtesy National Gallery of Art, Washington
  4. The Hills, by Preston Dickinson, ca. 1919
    The HillsPreston Dickinson, ca. 1919Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. Artist: Ossip Perelma, Sitter: Frank Brett Noyes, Current owner: National Portrait Gallery, Smithsonian Institution
    Frank Brett NoyesOssip Perelma, 1917Courtesy of the National Portrait Gallery, Smithsonian Institution
  2. The image shows a large ceramic vase with two curved handles positioned near the top on either side. The vase has an earthy color palette with shades of brown, beige, and a subtle hint of reddish-brown forming a band around its middle. The vase is centrally placed on a flat surface, and both handles extend outward at the top.
    VaseIsadore Goldberg, c. 1939Courtesy National Gallery of Art, Washington
  3. The image shows two foot stools. One is a round stool with four legs and the other is a small two-step wooden staircase. The color palette includes shades of brown and tan against a light beige background. The round stool is positioned to the left, and the step-stool is to the right. Both are labeled with the words "Foot Stools" below them.
    Shaker StoolsLawrence Foster, 1935/1942Courtesy National Gallery of Art, Washington
  4. This is a painting of a vintage fire hose cart. It is intricately designed, featuring a four-wheeled cart meant to hold a coiled fire hose. The painting showcases the cart's wooden spoked wheels and hose mechanism, as well as ornate wrought iron designs and a brass figure. A bell is depicted above one wheel. The painting captures the craftsmanship of the era and is reminiscent of the style of Charles Demuth, known for his attention to detail and focus on industrial and architectural elements.
    Fire Hose ReelHans Mangelsdorf, c. 1938Courtesy National Gallery of Art, Washington