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The galleries · Time and place

18th-century Japan

Works made in Japan in the 18th century.

92 works · hang 3204 ·

Share 18th-century Japan, in the galleries

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of color woodblock print; oban.
    The actor Ichikawa Omezo as the manservant IppeiTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago
  2. Morning Cherries at Yoshiwara, by Utagawa Hiroshige
    Morning Cherries at YoshiwaraUtagawa HiroshigeCourtesy of The Metropolitan Museum of Art
  3. “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei), by Kitagawa Utamaro, 1790
    “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of color woodblock print; ōban.
    Catching FirefliesEishosai Choki, c.1790sCourtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    Courting Komachi (Kayoi Komachi), from the series Seven Fashionable Figures of Ono no Komachi (Furyu nana Komachi yatushi sugata-e)Utagawa Toyokuni, Edo period (1615–1868), about 1792Courtesy of the Art Institute of Chicago
  3. Girl on Balcony above Stone Stairway, by Suzuki Harunobu, ca. 1768
    Girl on Balcony above Stone StairwaySuzuki Harunobu, ca. 1768Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Scene from a Play, by Katsukawa Shunjō, ca. 1780
    Scene from a PlayKatsukawa Shunjō, ca. 1780Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban triptych.
    Iris GardenKatsukawa Shunchô, c. 1781/89Courtesy of the Art Institute of Chicago
  3. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A work made of color woodblock print; hosoban.
    Actor Nakamura Nakazô I as Osada no Tarô in The Genji Clan Now at Its Zenith (Ima o sakari suehiro Genji)Katsukawa Shunshō, About 1768Courtesy of the Art Institute of Chicago
  2. Women Viewing Cherry Blossoms at Asukayama, by Katsukawa Shunchô, 1780s
    Women Viewing Cherry Blossoms at AsukayamaKatsukawa Shunchô, 1780sCourtesy of the Cleveland Museum of Art
  3. A work made of color woodblock print; chuban.
    The Poetess Ono no KomachiSuzuki Harunobu, Edo period (1615–1868), 1767/68Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of color woodblock print; chuban.
    Viewing the MoonSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban triptych.
    Young man and his party crossing a stream before Mt. FujiKitagawa Utamaro, c. 1798/1800Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Kametani Jujiro as the Shirabyoshi Dancer Yuya, by Torii Kiyomitsu, c. early 1760s
    Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art
  2. View of Futami Beach at Ise, by Shōtei Hokuju, ca. 1810–1820
    View of Futami Beach at IseShōtei Hokuju, ca. 1810–1820Courtesy of The Metropolitan Museum of Art

Walk on

  • 18th-century Japan, room 2
  • Shōtei Hokuju's contemporaries 8 works
  • More Ukiyo-e 172 works
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