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Frederick Stuart Church's contemporaries

A few works by Frederick Stuart Church, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

8 works · hang 7523 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

With their contemporaries

  1. The Witch's Daughter, by Frederick Stuart Church, 1881
    The Witch's DaughterFrederick Stuart Church, 1881Courtesy of the Smithsonian American Art Museum
  2. Heart of the Andes, by Frederic Edwin Church, 1859
    Heart of the AndesFrederic Edwin Church, 1859Courtesy of The Metropolitan Museum of Art
  3. The image shows a landscape with a waterscape. The horizon separates the water and the sky. In the distance, there are buildings, structures, and ships with tall masts. Close to us, there are reflections of the ships and structures in the water with fine brushstrokes. The style is impressionistic with thin lines conveying details. The color palette is monochromatic with sepia tones.
    Long LagoonJames McNeill Whistler, 1880Courtesy National Gallery of Art, Washington

Their contemporaries

  1. The Rocky Mountains, Lander's Peak, by Albert Bierstadt, 1863
    The Rocky Mountains, Lander's PeakAlbert Bierstadt, 1863Courtesy of The Metropolitan Museum of Art
  2. Mrs. Goss (The Woman in Fur), by Caroline L. Ransom, c. 1850s
    Mrs. Goss (The Woman in Fur)Caroline L. Ransom, c. 1850sCourtesy of the Cleveland Museum of Art
  3. A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.
    Study for "The Blue Girl: Portrait of Miss Elinor Leyland"James McNeill Whistler, c. 1879Courtesy of the Art Institute of Chicago

Their contemporaries, second

  1. This painting is a portrait of a man from the waist up. He is facing us, with pale skin, thin lips, rosy cheeks, light green eyes, and gray hair styled into curls around his ears. He has a neutral expression. The man is wearing a dark coat with gold buttons on the front, with a pale-yellow shirt underneath and a white cravat around his neck. The background is a dark and indistinct brown color.
    Abraham KintzingThomas Sully, 1815Courtesy National Gallery of Art, Washington
  2. Queen Victoria, by Thomas Sully, 1838
    Queen VictoriaThomas Sully, 1838Courtesy of The Metropolitan Museum of Art