The Immaculate Conception, previewed as a 16 by 20 inch giclée reproduction.

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Jusepe de Ribera (called Lo Spagnoletto)

Spanish, 1591–1652

The Immaculate Conceptionca. 1640

Pen and brown ink, brush and brown wash, red chalk on white laid paper

24.2 x 13.1 cm (9 1/2 x 5 3/16 in.)

Courtesy of Cooper Hewitt, Smithsonian Design Museum · 1938-88-7056

Drawing of the Virgin Mary at center right looking up, surrounded by flying winged putti. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 11 × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Drawing of the Virgin Mary at center right looking up, surrounded by flying winged putti.

Text from Cooper Hewitt, Smithsonian Design Museum.

How it was made

Chalk
Natural black, red and white chalks. Used together on toned paper they could give the warmth of flesh with very little effort, and they were favourites for studies from life.
Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Jusepe de Ribera (called Lo Spagnoletto)

Spanish, 1591–1652 · Born in Játiva; died in Naples.

See all 2 works by Jusepe de Ribera (called Lo Spagnoletto)

Rights and the museum’s record

Public domain. Cooper Hewitt, Smithsonian Design Museum has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1938-88-7056
Credit
Courtesy of Cooper Hewitt, Smithsonian Design Museum
Type
Drawing
Department
Cooper Hewitt, Smithsonian Design Museum
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