Nursemaids’ Promenade, Frieze of Carriages1895
This charming scene of a nanny and her three charges extends across four panels meant to be mounted as a folding screen. More about this work
About this work
This charming scene of a nanny and her three charges extends across four panels meant to be mounted as a folding screen. Pierre Bonnard emulated the solidly colored flat forms of Japanese color woodcut prints, which he collected. He featured the screen in his first solo exhibition at Paris's prestigious Galeries Durand-Ruel in 1896.
Text from the Cleveland Museum of Art.
How it was made
- Lithograph
- Drawn on limestone with a greasy crayon or ink. The stone is kept damp, and the oily printing ink clings only to the drawing. Invented in the 1790s, it let artists print exactly as they drew.
- Folding screen
- Panels joined by paper hinges, so the screen stands by itself in a zigzag. The picture runs across every panel, and screens were often made in pairs.
Pierre Bonnard
French, 1867–1947
Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Rights and the museum’s record
Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 2008.31
- Credit
- Courtesy of the Cleveland Museum of Art
- Type
- Department
- Prints
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
