Madonna Nursing the Christ Child, previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Bartolomé Esteban Murillo

Spanish, 1617–1682

Madonna Nursing the Christ Childc. 1670–72

pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink

Sheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)

Courtesy of the Cleveland Museum of Art · 1968.66

One of the finest of the rare drawings by Murillo, this sheet is a study for Virgin and Child , commissioned for the family chapel of the Marques de Santiago in Madrid and now at the Metropolitan Museum of Art, New York. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 12¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

One of the finest of the rare drawings by Murillo, this sheet is a study for Virgin and Child , commissioned for the family chapel of the Marques de Santiago in Madrid and now at the Metropolitan Museum of Art, New York. Prized today for their dynamism, Murillo’s drawings served the practical purpose of working out the positions of the figures. Here, the artist suggested the tender bond between mother and child with the poignant connection of their gazes. His animated line and zigzag hatching create the feeling of incessant motion while the addition of ink wash creates deep shadows across the forms.

Text from the Cleveland Museum of Art.

How it was made

Chalk
Natural black, red and white chalks. Used together on toned paper they could give the warmth of flesh with very little effort, and they were favourites for studies from life.
Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.

Bartolomé Esteban Murillo

Spanish, 1617–1682 · Born and died in Seville.

Murillo spent nearly all his life in Seville, where he became the city’s leading painter after Zurbarán. His tender religious scenes, especially his many Immaculate Conceptions, and his warm, softly lit pictures of street children made him one of the most popular Spanish painters in Europe in later centuries. In 1660 he helped found an academy of drawing in Seville. He died after a fall from scaffolding while painting an altarpiece in Cádiz.

Written by Ochre Editions.

See all 3 works by Bartolomé Esteban Murillo

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1968.66
Credit
Courtesy of the Cleveland Museum of Art
Type
Drawing
Department
Drawings
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Bartolomé Esteban Murillo

All their works

Close in colour