Floor plan

Style galleriesWatercolours of the 19th century

Watercolours of the 19th century

Plums, by John William Hill, 1870
Pale watercolor drawing of young dancer in long sheer dress.
A work made of transparent and opaque watercolor on cream wove paper.
A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.
A work made of black conté crayon, on white laid paper, laid down on cream board.

The works in this room are listed below.

Works in this room

Watercolours made in the 19th century, from every museum.

Section 1, north wall

  1. Plums, by John William Hill, 1870
    PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art
  2. Pale watercolor drawing of young dancer in long sheer dress.
    Green and Blue: The DancerJames McNeill Whistler, c. 1893Courtesy of the Art Institute of Chicago
  3. A work made of transparent and opaque watercolor on cream wove paper.
    Landscape with RocksGeorge Sand, c. 1868/76Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.
    Weeping TreeVincent van Gogh, 1889Courtesy of the Art Institute of Chicago
  2. A work made of black conté crayon, on white laid paper, laid down on cream board.
    Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of pastel and black chalk on brown wove paper with fibrous inclusions.
    Corte del ParadisoJames McNeill Whistler, 1880Courtesy of the Art Institute of Chicago
  2. Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885
    Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art
  3. A work made of graphite on cream laid paper (pieced).
    Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of watercolor and opaque watercolor on cream wove paper.
    Landscape with River GorgeGeorge Sand, 1860/69Courtesy of the Art Institute of Chicago
  2. A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.
    Room Leading to the Chapel, Knowle, KentJoseph Nash, 1869Courtesy of the Art Institute of Chicago
  3. A work made of graphite, on tan wove paper, perimeter mounted on ivory laid paper.
    Sheet of Sketches: Cavalry Battles and Mounted SoldiersJean Louis André Théodore Géricault, 1813/14Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
    Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago
  2. A work made of reed pen and iron-gall ink on tan laid paper.
    Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. The Dancing Lesson, by Thomas Eakins, 1878
    The Dancing LessonThomas Eakins, 1878Courtesy of The Metropolitan Museum of Art
  2. Pastel drawing of two figures in a sailboat, bright multi-colored clouds.
    Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago
  3. A work made of oil on paperboard.
    Lane Scene at NightJohn Atkinson Grimshaw, 1872Courtesy of the Art Institute of Chicago