Floor plan

West wing: Old MastersThe Dutch Golden Age

The Dutch Golden Age

A work made of engraving on two joined sheets of ivory laid paper.
A work made of oil on panel.
A work made of engraving in black on cream laid paper.
A work made of engraving on three joined sheets of ivory laid paper.
Portrait of a Woman, by Govaert Flinck, 1646
Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645
A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
A work made of woodcut on three joined sheets of ivory laid paper.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

North wall

  1. A work made of engraving on two joined sheets of ivory laid paper.
    Fortune Distributing her GiftsJan Harmensz. Muller, 1590Courtesy of the Art Institute of Chicago
  2. A work made of oil on panel.
    Trompe-l'Oeil Still Life with a Flower Garland and a CurtainAdriaen van der Spelt, 1658Courtesy of the Art Institute of Chicago
  3. A work made of engraving in black on cream laid paper.
    Christ Raises the Dead Son of the Widow of NainJacob Matham, 1593/94Courtesy of the Art Institute of Chicago
  4. A work made of engraving on three joined sheets of ivory laid paper.
    Christ at the Feast of SimonJan Saenredam, c. 1590-1600Courtesy of the Art Institute of Chicago

East wall

  1. Portrait of a Woman, by Govaert Flinck, 1646
    Portrait of a WomanGovaert Flinck, 1646Courtesy of the Cleveland Museum of Art
  2. Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645
    Study of a Tulip (Wit en root boode)Pieter Holsteyn II, c. 1645Courtesy of the Cleveland Museum of Art
  3. A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
    A View of Bracciano with the Church of S. Maria AssuntaBartholomeus Breenberg, c. 1619–33Courtesy of the Cleveland Museum of Art
  4. A work made of woodcut on three joined sheets of ivory laid paper.
    The Mocking of ChristWerner van den Valckert, c. 1620Courtesy of the Art Institute of Chicago

West wall

  1. A work made of oil on panel.
    Breakfast Still LifeWillem Claesz. Heda, 1647Courtesy of the Art Institute of Chicago
  2. Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
    Sleeping Peasants near Fields (Parable of the Weeds)Simon de Vlieger, 1650–53Courtesy of the Cleveland Museum of Art
  3. A work made of pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper.
    The Coronation of the Virgin and The Flight into EgyptJan de Bisschop, 1648/71Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    Alpheus and ArethusaMoses van Uyttenbroeck, 1626Courtesy of the Art Institute of Chicago

South wall

  1. A work made of engraving in black on cream laid paper.
    Drunken SilenusJonas Suyderhoef, 1642Courtesy of the Art Institute of Chicago
  2. Interior of a Church, by Emanuel de Witte, c. 1680
    Interior of a ChurchEmanuel de Witte, c. 1680Courtesy of the Cleveland Museum of Art
  3. A work made of engraving in black on cream laid paper.
    The Apollo Belvedere, plate 3 from Three Famous Antique SculpturesHendrick Goltzius, c. 1592, printed c. 1617Courtesy of the Art Institute of Chicago
  4. A Cottage in the Woods, by Meindert Hobbema, c. 1662
    A Cottage in the WoodsMeindert Hobbema, c. 1662Courtesy of the Cleveland Museum of Art