Floor plan

Style galleriesHudson River School

Hudson River School

Above Tower Falls, Yellowstone, by Thomas Moran, 1872
THE TETONS, SHOWN FROM THE PLAIN
NEAR MEADOW CREEK, UTAH
Lake George, by John Frederick Kensett, 1869
Mountains in Colorado, by John Frederick Kensett, 1870
Eaton's Neck, Long Island, by John Frederick Kensett, 1872
The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers. In the distance, a wooden dock extends into the lake on the left, and a person wearing red appears to sit or stand with their back to us.
October in the Marshes, by John Frederick Kensett, 1872

The works in this room are listed below.

Works in this room

American landscape painters of the mid-1800s who made wilderness their grand subject.

Section 1, north wall

  1. Above Tower Falls, Yellowstone, by Thomas Moran, 1872
    Above Tower Falls, YellowstoneThomas Moran, 1872Courtesy of the Smithsonian American Art Museum
  2. THE TETONS, SHOWN FROM THE PLAIN
    The Tetons, Shown from the PlainThomas Moran, August 28, 1879Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. NEAR MEADOW CREEK, UTAH
    Near Meadow Creek, UtahThomas Moran, July 25, 1871Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. Lake George, by John Frederick Kensett, 1869
    Lake GeorgeJohn Frederick Kensett, 1869Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Mountains in Colorado, by John Frederick Kensett, 1870
    Mountains in ColoradoJohn Frederick Kensett, 1870Courtesy of the Smithsonian American Art Museum
  2. Eaton's Neck, Long Island, by John Frederick Kensett, 1872
    Eaton's Neck, Long IslandJohn Frederick Kensett, 1872Courtesy of The Metropolitan Museum of Art
  3. The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers. In the distance, a wooden dock extends into the lake on the left, and a person wearing red appears to sit or stand with their back to us.
    Landing at Sabbath Day PointJohn Frederick Kensett, c. 1853Courtesy National Gallery of Art, Washington
  4. October in the Marshes, by John Frederick Kensett, 1872
    October in the MarshesJohn Frederick Kensett, 1872Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. View of Florence, by Thomas Cole, 1837
    View of FlorenceThomas Cole, 1837Courtesy of the Cleveland Museum of Art
  2. View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836
    View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The OxbowThomas Cole, 1836Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. CENTURY PLANT, JAMAICA
    Century Plant, JamaicaFrederic Edwin Church, May–September 1865Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. The Parthenon, by Frederic Edwin Church, 1871
    The ParthenonFrederic Edwin Church, 1871Courtesy of The Metropolitan Museum of Art
  3. MT. KATAHDIN FROM SOUTH TURNER MOUNTAIN, MAINE
    Mt. Katahdin from South Turner Mountain, MaineFrederic Edwin Church, 1877–78Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 3, north wall

  1. Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856
    Niagara Falls by MoonlightFrederic Edwin Church, probably 1856Courtesy of the Cleveland Museum of Art
  2. This painting shows a view looking out over a vast landscape. Most of the painting is circular, with a small part of the bottom bleeding out of the circle towards us. The top third of the circle shows a mountain range with a large purple peak in the distance. In front of the mountain is a faint rainbow. A body of water flows from in front of the mountain to the bottom of the painting, weaving in between shorter white peaks. Towards the bottom, the water appears to flow into small, layered pools of various bright colors including yellow, orange, red, pink, blue, and teal. The sky is a light blue-gray color. The background of the painting outside of the circle is plain paper.
    Minerva Terrace, YellowstoneThomas Moran, 1872Courtesy National Gallery of Art, Washington
  3. ITALIAN FARMHOUSE
    Italian FarmhouseFrederic Edwin Church, September 1868 - April 1869Courtesy of Cooper Hewitt, Smithsonian Design Museum