Floor plan

Style galleriesDutch Golden Age

Dutch Golden Age

A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632
A work made of engraving on three joined sheets of ivory laid paper.
Landscape with Travelers, by Herman van Swanevelt, 1630s
Enclosed Valley, by Hercules Seghers, c. 1623–30
Travelers in Hilly Countryside, by Aelbert Cuyp, c. 1650
The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
A work made of oil on canvas.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

First room, north wall

  1. A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632
    A Young Man with a ChainRembrandt van Rijn, c. 1629 or 1632Courtesy of the Cleveland Museum of Art
  2. A work made of engraving on three joined sheets of ivory laid paper.
    The Wedding of Cupid and PsycheHendrick Goltzius, 1587Courtesy of the Art Institute of Chicago
  3. Landscape with Travelers, by Herman van Swanevelt, 1630s
    Landscape with TravelersHerman van Swanevelt, 1630sCourtesy of the Cleveland Museum of Art

First room, south wall

  1. Enclosed Valley, by Hercules Seghers, c. 1623–30
    Enclosed ValleyHercules Seghers, c. 1623–30Courtesy of the Cleveland Museum of Art
  2. Travelers in Hilly Countryside, by Aelbert Cuyp, c. 1650
    Travelers in Hilly CountrysideAelbert Cuyp, c. 1650Courtesy of the Cleveland Museum of Art
  3. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art
  4. A work made of oil on canvas.
    The Music LessonGerard ter Borch the Younger, c. 1670Courtesy of the Art Institute of Chicago

Second room, south wall

  1. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago
  2. A work made of watercolor and opaque watercolor on cream laid paper.
    A Horseshoe CrabPieter Holsteyn, the younger, 1640/80Courtesy of the Art Institute of Chicago
  3. Portrait of a Woman, by Govaert Flinck, 1646
    Portrait of a WomanGovaert Flinck, 1646Courtesy of the Cleveland Museum of Art
  4. Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s
    Salome with the Head of Saint John the BaptistJacob Duck, mid-1600sCourtesy of the Cleveland Museum of Art

Second room, north wall

  1. Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
    Sleeping Peasants near Fields (Parable of the Weeds)Simon de Vlieger, 1650–53Courtesy of the Cleveland Museum of Art
  2. A work made of engraving on three joined sheets of ivory laid paper.
    Christ at the Feast of SimonJan Saenredam, c. 1590-1600Courtesy of the Art Institute of Chicago
  3. A work made of watercolor and opaque watercolor on cream laid paper.
    Megasoma Elephas or Megaceras Jason and Six Other InsectsPieter Holsteyn, the younger, 1640/80Courtesy of the Art Institute of Chicago

Third room, north wall

  1. A work made of engraving in black on cream laid paper.
    The Apollo Belvedere, plate 3 from Three Famous Antique SculpturesHendrick Goltzius, c. 1592, printed c. 1617Courtesy of the Art Institute of Chicago
  2. A work made of woodcut on three joined sheets of ivory laid paper.
    The Mocking of ChristWerner van den Valckert, c. 1620Courtesy of the Art Institute of Chicago