Renaissance








Works in this room
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

The Submersion of Pharaoh's Army in the Red SeaTitian, 1514–15, printed 1549Courtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art 
The Power of Women: Samson and DelilahLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art
Section 1, south wall

Christ Crowned with ThornsMartin Schongauer, 1470–82Courtesy of the Cleveland Museum of Art 
Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art 
Study of a Standing Male NudeGiuseppe Cesari, called Cavaliere d'Arpino, 1595/96Courtesy of the Art Institute of Chicago 
The Dead Christ with AngelsLeandro Bassano, c. 1580Courtesy of the Cleveland Museum of Art
Section 2, south wall

Studies of a Seated Female, Child's Head, and Three Studies of a BabyRaphael, c. 1507–8Courtesy of the Cleveland Museum of Art 
Saint Catherine of Siena Receiving the StigmataFrancesco Vanni, c. 1595Courtesy of the Art Institute of Chicago 
Madonna and Child in a NicheAntonio del Ceraiolo, c. 1520sCourtesy of the Cleveland Museum of Art 
Virgin and Child with the Young Saint John the BaptistAntonio da Correggio, c. 1515Courtesy of the Art Institute of Chicago
Section 2, north wall

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art 
St. Catherine of Siena and the BeggarGiovanni di Paolo, 1460sCourtesy of the Cleveland Museum of Art 
The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art 
Alessandro de' MediciPontormo, (Jacopo Carrucci), 1534–35Courtesy of the Art Institute of Chicago