Floor plan

Time and placeThe 19th century

The 19th century

The image shows a man sitting and facing the viewer. He has his right hand on a table. The man's hair is gray and neatly styled. He is wearing a dark coat with a high collar, a white shirt, and a yellow vest peeking through. On the table are a quill, inkwell, and papers. The background is a dark, neutral tone.
ROOKWOOD POTTERY
STUDY OF LANDSCAPE, DELAWARE RIVER
STUDY OF SEASCAPE. PORCUPINE ISLANDS, BAR HARBOR, ME
The Departure of the Crusaders, by Victor Nehlig, 1863
The Curious One, by Antoine Pierre Mongin, 1823
Impressionist painting of seated man, girl with brown, black hues.
A work made of color woodblock print, oban triptych.

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. The image shows a man sitting and facing the viewer. He has his right hand on a table. The man's hair is gray and neatly styled. He is wearing a dark coat with a high collar, a white shirt, and a yellow vest peeking through. On the table are a quill, inkwell, and papers. The background is a dark, neutral tone.
    Robert ColemanJacob Eichholtz, c. 1820Courtesy National Gallery of Art, Washington
  2. ROOKWOOD POTTERY
    Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. STUDY OF LANDSCAPE, DELAWARE RIVER
    Study of landscape, Delaware RiverWilliam Stanley Haseltine, ca. 1855Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. STUDY OF SEASCAPE. PORCUPINE ISLANDS, BAR HARBOR, ME
    Study of seascape. Porcupine Islands, Bar Harbor, MEWilliam Stanley Haseltine, 1859Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 1, south wall

  1. The Departure of the Crusaders, by Victor Nehlig, 1863
    The Departure of the CrusadersVictor Nehlig, 1863Courtesy of the Smithsonian American Art Museum
  2. The Curious One, by Antoine Pierre Mongin, 1823
    The Curious OneAntoine Pierre Mongin, 1823Courtesy of the Cleveland Museum of Art
  3. Impressionist painting of seated man, girl with brown, black hues.
    Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)Edgar Degas, 1875–76Courtesy of the Art Institute of Chicago
  4. A work made of color woodblock print, oban triptych.
    Sei Shonagon, from the series Ancient Patterns (Kodai moyo)Kobayashi Kiyochika, Meiji period (1896–1912), 1896Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Descent into the Plain of Granada, by David Roberts, 1834
    Descent into the Plain of GranadaDavid Roberts, 1834Courtesy of the Cleveland Museum of Art
  2. Miyako Shell, by Katsushika Hokusai, probably 1821
    Miyako ShellKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art
  3. Symbolic Head, by Odilon Redon, c. 1890
    Symbolic HeadOdilon Redon, c. 1890Courtesy of the Cleveland Museum of Art
  4. Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801
    Portrait of Charlotte and Sarah Carteret-HardyThomas Lawrence, 1801Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Self-Portrait, by Edgar Degas, 1857
    Self-PortraitEdgar Degas, 1857Courtesy of the Cleveland Museum of Art
  2. At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899
    At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; ōban.
    Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago
  4. Landscape—Scene from "Thanatopsis", by Asher Brown Durand, 1850
    Landscape—Scene from "Thanatopsis"Asher Brown Durand, 1850Courtesy of The Metropolitan Museum of Art