Floor plan

West wing: Old MastersThe Dutch Golden Age

The Dutch Golden Age

Enclosed Valley, by Hercules Seghers, c. 1623–30
Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
A work made of engraving on three joined sheets of ivory laid paper.
A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
A work made of watercolor and opaque watercolor on cream laid paper.
Rush Gatherers, by Nicolaes Berchem, 1657
A work made of engraving on two joined sheets of ivory laid paper.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

North wall

  1. Enclosed Valley, by Hercules Seghers, c. 1623–30
    Enclosed ValleyHercules Seghers, c. 1623–30Courtesy of the Cleveland Museum of Art
  2. Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
    Sleeping Peasants near Fields (Parable of the Weeds)Simon de Vlieger, 1650–53Courtesy of the Cleveland Museum of Art
  3. A work made of engraving on three joined sheets of ivory laid paper.
    Christ at the Feast of SimonJan Saenredam, c. 1590-1600Courtesy of the Art Institute of Chicago
  4. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago

East wall

  1. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art
  2. A work made of watercolor and opaque watercolor on cream laid paper.
    A Horseshoe CrabPieter Holsteyn, the younger, 1640/80Courtesy of the Art Institute of Chicago
  3. Rush Gatherers, by Nicolaes Berchem, 1657
    Rush GatherersNicolaes Berchem, 1657Courtesy of the Cleveland Museum of Art
  4. A work made of engraving on two joined sheets of ivory laid paper.
    The Wedding at CanaHendrick Goltzius, c. 1590-1610Courtesy of the Art Institute of Chicago

West wall

  1. A work made of woodcut on three joined sheets of ivory laid paper.
    The Mocking of ChristWerner van den Valckert, c. 1620Courtesy of the Art Institute of Chicago
  2. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago
  3. A work made of engraving on three joined sheets of ivory laid paper.
    The Wedding of Cupid and PsycheHendrick Goltzius, 1587Courtesy of the Art Institute of Chicago
  4. Landscape with Travelers, by Herman van Swanevelt, 1630s
    Landscape with TravelersHerman van Swanevelt, 1630sCourtesy of the Cleveland Museum of Art

South wall

  1. Samson and Delilah, by Gerrit van Honthorst, c. 1616
    Samson and DelilahGerrit van Honthorst, c. 1616Courtesy of the Cleveland Museum of Art
  2. Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s
    Salome with the Head of Saint John the BaptistJacob Duck, mid-1600sCourtesy of the Cleveland Museum of Art
  3. A work made of pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper.
    The Coronation of the Virgin and The Flight into EgyptJan de Bisschop, 1648/71Courtesy of the Art Institute of Chicago
  4. Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645
    Study of a Tulip (Wit en root boode)Pieter Holsteyn II, c. 1645Courtesy of the Cleveland Museum of Art