Baroque and Rococo





Works in this room
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

The ResurrectionCecco del Caravaggio, c. 1619-20Courtesy of the Art Institute of Chicago 
Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome)Giovanni Battista Gaulli, c. 1675–1677Courtesy of the Cleveland Museum of Art 
View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago
First room, south wall

Adam and Eve in ParadiseFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago 
Rinaldo and Armida in Her GardenGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago
Second room, south wall

Equestrian Ballet in the Amphitheater of the Boboli GardensStefano della Bella, 1661Courtesy of the Art Institute of Chicago 
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Antiochus Yearning for StratoniceStefano Pozzi, c. 1740Courtesy of the Art Institute of Chicago
Second room, north wall

Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Old Woman with a MuffUnrecorded French maker, second half 18th centuryCourtesy National Gallery of Art, Washington 
Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago 
The DancePietro Longhi, c. 1750Courtesy of the Art Institute of Chicago
Third room, north wall

The Colossal Statue of the Apennines, from Views of Villa di PratolinoStefano della Bella, c. 1653Courtesy of the Art Institute of Chicago 
Christ and the Woman Taken in AdulterySebastiano Ricci, mid-1700sCourtesy of the Cleveland Museum of Art 
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di RomaGiovanni Battista Nolli, 1748Courtesy of the Cleveland Museum of Art 
Sketch for a CeilingGiovanni Battista Tiepolo, 1750sCourtesy of the Cleveland Museum of Art