Unrecorded makers of India








Works in this room
Works whose makers the museums don't name, made in India.
First room, north wall

Krishna Lifting Mount GovardhanUnrecorded Indian maker, c. 1780–90Courtesy of the Cleveland Museum of Art 
Holi Festival in a Walled Garden with CelebrantsUnrecorded Indian maker, c. 1764Courtesy of the Art Institute of Chicago 
Battle between monkeys and demons, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700Courtesy of the Cleveland Museum of Art 
A Lady Playing the TanpuraUnrecorded Indian maker, ca. 1735Courtesy of The Metropolitan Museum of Art
First room, south wall

Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art 
Krishna in the Form of Shri NathjiUnrecorded Indian maker, ca. 1840Courtesy of The Metropolitan Museum of Art 
Mahadevi, the Great GoddessUnrecorded Indian maker, ca. 1725Courtesy of The Metropolitan Museum of Art 
Celebrations of Krishna's Birth, from a Bhagavata PuranaUnrecorded Indian maker, c. 1725–30Courtesy of the Cleveland Museum of Art
Second room, south wall

Hanuman spies Sita in the Ashoka Grove, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700–25Courtesy of the Cleveland Museum of Art 
Maharaja Bijay Singh in His HaremUnrecorded Indian maker, ca. 1770Courtesy of The Metropolitan Museum of Art 
Green ParrotUnrecorded Indian maker, c. 1820Courtesy of the Cleveland Museum of Art 
The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art
Second room, north wall

Royal Women Feeding FishUnrecorded Indian maker, c. 1740Courtesy of the Art Institute of Chicago 
Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events)Unrecorded Indian maker, 1670–80Courtesy of the Cleveland Museum of Art 
Toilette of RadhaUnrecorded Indian maker, c. 1810–20Courtesy of the Cleveland Museum of Art 
The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art