Floor plan

Style galleriesWatercolours of the 19th century

Watercolours of the 19th century

A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.
A work made of transparent and opaque watercolor on cream wove paper.
Inside the Bar, by Winslow Homer, 1883
Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.

The works in this room are listed below.

Works in this room

Watercolours made in the 19th century, from every museum.

Section 1, north wall

  1. A work made of reed pen and black-brown ink, with black chalk on off-white wove paper.
    Weeping TreeVincent van Gogh, 1889Courtesy of the Art Institute of Chicago
  2. A work made of transparent and opaque watercolor on cream wove paper.
    Landscape with RocksGeorge Sand, c. 1868/76Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Inside the Bar, by Winslow Homer, 1883
    Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art
  2. Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.
    Statue of the Madonna in the MountainsCaspar David Friedrich, 1804Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of black and white chalk on blue wove paper.
    SeasideCharles François Eustache, 1866Courtesy of the Art Institute of Chicago
  2. Pale watercolor drawing of young dancer in long sheer dress.
    Green and Blue: The DancerJames McNeill Whistler, c. 1893Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of pastel on brown paper, laid down on board.
    The Call of the StagRosa Bonheur, 1890sCourtesy of the Art Institute of Chicago
  2. A work made of watercolor and gouache, with touches of brush and black ink, heightened with white gouache, over graphite on cream wove paper.
    Room Leading to the Chapel, Knowle, KentJoseph Nash, 1869Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of black conté crayon, on white laid paper, laid down on cream board.
    Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago
  2. A work made of reed pen and iron-gall ink on tan laid paper.
    Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago
  3. A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.
    Sketches of Algerian MenEugène Delacroix, c. 1832Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.
    The Hall, Levens, WestmorelandJoseph Nash, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of pastel and graphite on cream wove paper.
    At the Circus: Trained Pony and BaboonHenri de Toulouse-Lautrec, 1899Courtesy of the Art Institute of Chicago

Section 4, south wall

  1. A work made of conté crayon on gray-blue wove paper.
    Landscape with HaystacksConstant Troyon, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of graphite on ivory wove paper.
    A Byzantine Well-headFrederic Leighton, 1st Baron Leighton of Stretton, 1852Courtesy of the Art Institute of Chicago
  3. A work made of oil on paperboard.
    Lane Scene at NightJohn Atkinson Grimshaw, 1872Courtesy of the Art Institute of Chicago