Floor plan

Style galleriesDutch Golden Age

Dutch Golden Age

Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s
The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
A work made of oil on panel.
A work made of watercolor and opaque watercolor on cream laid paper.
A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
Interior of a Church, by Emanuel de Witte, c. 1680
A work made of woodcut on three joined sheets of ivory laid paper.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

First room, north wall

  1. Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s
    Salome with the Head of Saint John the BaptistJacob Duck, mid-1600sCourtesy of the Cleveland Museum of Art
  2. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art
  3. A work made of oil on panel.
    Breakfast Still LifeWillem Claesz. Heda, 1647Courtesy of the Art Institute of Chicago
  4. A work made of watercolor and opaque watercolor on cream laid paper.
    A Horseshoe CrabPieter Holsteyn, the younger, 1640/80Courtesy of the Art Institute of Chicago

First room, south wall

  1. A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
    A View of Bracciano with the Church of S. Maria AssuntaBartholomeus Breenberg, c. 1619–33Courtesy of the Cleveland Museum of Art
  2. Interior of a Church, by Emanuel de Witte, c. 1680
    Interior of a ChurchEmanuel de Witte, c. 1680Courtesy of the Cleveland Museum of Art
  3. A work made of woodcut on three joined sheets of ivory laid paper.
    The Mocking of ChristWerner van den Valckert, c. 1620Courtesy of the Art Institute of Chicago

Second room, south wall

  1. A work made of engraving on three joined sheets of ivory laid paper.
    Christ at the Feast of SimonJan Saenredam, c. 1590-1600Courtesy of the Art Institute of Chicago
  2. A work made of pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper.
    The Coronation of the Virgin and The Flight into EgyptJan de Bisschop, 1648/71Courtesy of the Art Institute of Chicago
  3. A Cottage in the Woods, by Meindert Hobbema, c. 1662
    A Cottage in the WoodsMeindert Hobbema, c. 1662Courtesy of the Cleveland Museum of Art

Second room, north wall

  1. A work made of oil on copper.
    David Slaying GoliathDutch, 1600–50Courtesy of the Art Institute of Chicago
  2. Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645
    Study of a Tulip (Wit en root boode)Pieter Holsteyn II, c. 1645Courtesy of the Cleveland Museum of Art
  3. A work made of oil on panel.
    Alpheus and ArethusaMoses van Uyttenbroeck, 1626Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    Trompe-l'Oeil Still Life with a Flower Garland and a CurtainAdriaen van der Spelt, 1658Courtesy of the Art Institute of Chicago

Third room, north wall

  1. A work made of engraving on ivory laid paper.
    Hercules Slaying the HydraJan Harmensz. Muller, c. 1602Courtesy of the Art Institute of Chicago
  2. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago