Floor plan

Style galleriesDrawings of the 19th century

Drawings of the 19th century

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), by Francisco Goya, ca. 1816–20
Rhine at the Lurlei, by George Elbert Burr, 1900
Souvenir of a Castle in Vosges, by Victor Hugo, 1857
STUDY FOR "SCIENTIFIC GROUP"
This is a drawing of various sketches related to woodcutting or carpentry. The drawing features several pencil sketches on tan paper. On the left side, there are depictions of a barrel or basket, and beneath it, several outline sketches of figures engaged in activities involving woodwork. The right side of the drawing shows a figure bent over a large beam or branch. The sketches are simple, with minimal detail, capturing the basic form and movement of the figures and objects involved in woodwork-related activities.

The works in this room are listed below.

Works in this room

Drawings made in the 19th century, from every museum.

Section 1, north wall

  1. God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), by Francisco Goya, ca. 1816–20
    God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Francisco Goya, ca. 1816–20Courtesy of The Metropolitan Museum of Art
  2. Rhine at the Lurlei, by George Elbert Burr, 1900
    Rhine at the LurleiGeorge Elbert Burr, 1900Courtesy of the Smithsonian American Art Museum
  3. Souvenir of a Castle in Vosges, by Victor Hugo, 1857
    Souvenir of a Castle in VosgesVictor Hugo, 1857Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. STUDY FOR "SCIENTIFIC GROUP"
    Study for "Scientific Group"Daniel Huntington, 1858Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. This is a drawing of various sketches related to woodcutting or carpentry. The drawing features several pencil sketches on tan paper. On the left side, there are depictions of a barrel or basket, and beneath it, several outline sketches of figures engaged in activities involving woodwork. The right side of the drawing shows a figure bent over a large beam or branch. The sketches are simple, with minimal detail, capturing the basic form and movement of the figures and objects involved in woodwork-related activities.
    Soldiers felling sapling, and weaving saplings into baskets [verso]Winslow Homer, 1862Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Leaping Trout, by Winslow Homer, 1889
    Leaping TroutWinslow Homer, 1889Courtesy of the Cleveland Museum of Art
  2. A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885
    A Woman Seated at a Bench on the Avenue du BoisBerthe Morisot, 1885Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. This is a drawing of a rustic interior scene. The artwork depicts an interior where a table is surrounded by chairs. On the table, there is a bowl, as the individuals appear to be interacting or reaching towards it. In the background, livestock and chickens are visible, suggesting the environment is possibly a farm or a barn with a dining space. The use of soft lines and shading creates a warm, intimate, and slightly somber atmosphere within the image, with light and shadow playing an important role in highlighting the subjects and their surroundings.
    East Frisian Peasants Eating SupperMax Liebermann, 1893Courtesy National Gallery of Art, Washington
  2. BALCONY
    BalconyRobert Frederick Blum, 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 3, north wall

  1. Road in Etten, by Vincent van Gogh, 1881
    Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art
  2. Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, by Eugène Delacroix, 1832
    Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their DaughtersEugène Delacroix, 1832Courtesy of The Metropolitan Museum of Art
  3. The image shows a man's head and part of his neck in profile view. The man is looking to the left, showcasing his facial features. He has a prominent nose, cheekbones, dark hair with hints of gray at the sides, and a white beard under his chin. He is wearing a gray collar that is partially visible. The background is a plain, muted brown color. There are no objects or jewelry visible in the image.
    Profile of a Man with SidewhiskersUnrecorded German maker, c. 1850Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. VIGNETTE: MAN CROUCHING ON A SCAFFOLDING
    Vignette: Man Crouching on a ScaffoldingWalter Appleton Clark, 1899Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899
    At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art

Section 4, south wall

  1. Sheet of Studies and Sketches, by Edgar Degas, 1858
    Sheet of Studies and SketchesEdgar Degas, 1858Courtesy of the Cleveland Museum of Art
  2. IN CLOISTER OF CATHEDREAL, LE PUY
    In Cloister of Cathedreal, Le PuyArnold William Brunner, 1883Courtesy of Cooper Hewitt, Smithsonian Design Museum