Floor plan

Style galleriesDrawings of the 19th century

Drawings of the 19th century

DRAPERY STUDY
The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.
Seated Female Nude (Self-Portrait?), by Paula Modersohn-Becker, c. 1899
NEAR MEADOW CREEK, UTAH
FIGURES
"ORCHSTRES PLACES AUX CHAMPS ELYSEES, DANS LE GRAN CARRES"

The works in this room are listed below.

Works in this room

Drawings made in the 19th century, from every museum.

Section 1, north wall

  1. DRAPERY STUDY
    Drapery StudyFrancis Augustus Lathrop, ca. 1895Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.
    Rainy Day, BostonChilde Hassam, 1886Courtesy National Gallery of Art, Washington
  3. Seated Female Nude (Self-Portrait?), by Paula Modersohn-Becker, c. 1899
    Seated Female Nude (Self-Portrait?)Paula Modersohn-Becker, c. 1899Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. NEAR MEADOW CREEK, UTAH
    Near Meadow Creek, UtahThomas Moran, July 25, 1871Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. FIGURES
    FiguresRobert Frederick Blum, 1881Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. "ORCHSTRES PLACES AUX CHAMPS ELYSEES, DANS LE GRAN CARRES"
    "Orchstres places aux Champs elysees, dans le gran carres"Félix Duban, 1833Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, south wall

  1. Rhine at the Lurlei, by George Elbert Burr, 1900
    Rhine at the LurleiGeorge Elbert Burr, 1900Courtesy of the Smithsonian American Art Museum
  2. This painting shows a view looking out over a vast landscape. Most of the painting is circular, with a small part of the bottom bleeding out of the circle towards us. The top third of the circle shows a mountain range with a large purple peak in the distance. In front of the mountain is a faint rainbow. A body of water flows from in front of the mountain to the bottom of the painting, weaving in between shorter white peaks. Towards the bottom, the water appears to flow into small, layered pools of various bright colors including yellow, orange, red, pink, blue, and teal. The sky is a light blue-gray color. The background of the painting outside of the circle is plain paper.
    Minerva Terrace, YellowstoneThomas Moran, 1872Courtesy National Gallery of Art, Washington
  3. Leaping Trout, by Winslow Homer, 1889
    Leaping TroutWinslow Homer, 1889Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. The image shows a person lying down, positioned on their side, resting on a pillow. The individual appears to be asleep, with closed eyes, slightly parted lips, and a relaxed facial expression. The person has light-colored hair, partially covered by a white nightcap, and is dressed in white nightwear with a ruffled collar. They are covered by a white blanket and their hand is partially visible near the face, with fingers interlaced. The background features a wooden headboard or furniture piece.
    An Infant Asleep in His CribAdolph Menzel, 1848Courtesy National Gallery of Art, Washington
  2. God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), by Francisco Goya, ca. 1816–20
    God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Francisco Goya, ca. 1816–20Courtesy of The Metropolitan Museum of Art
  3. At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899
    At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Willow trees at a brook (Weidenbach near Neuostra), by Emilie Mediz-Pelikan, 1895
    Willow trees at a brook (Weidenbach near Neuostra)Emilie Mediz-Pelikan, 1895Courtesy of The Metropolitan Museum of Art
  2. Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893
    Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. Road in Etten, by Vincent van Gogh, 1881
    Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art
  2. Boy with Anchor, by Winslow Homer, 1873
    Boy with AnchorWinslow Homer, 1873Courtesy of the Cleveland Museum of Art