Floor plan

West wing: Old MastersRenaissance

Renaissance

A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.
A work made of tempera on panel, transferred to canvas.
Virgin and Child, by Bernardino Luini, 1500s
A work made of engraving and etching in black on cream laid paper.
Holy Family with a Shepherd, by Battista Dossi, early 1520s
Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508
Death of the Virgin, mid-1500s
Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560

The works in this room are listed below.

Works in this room

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

Section 1, north wall

  1. A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on tan laid card.
    Group of Nine Standing FiguresParmigianino, 1524/27Courtesy of the Art Institute of Chicago
  2. A work made of tempera on panel, transferred to canvas.
    The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago
  3. Virgin and Child, by Bernardino Luini, 1500s
    Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art
  4. A work made of engraving and etching in black on cream laid paper.
    A Naval BattleMichele Lucchese, c. 1550Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Holy Family with a Shepherd, by Battista Dossi, early 1520s
    Holy Family with a ShepherdBattista Dossi, early 1520sCourtesy of the Cleveland Museum of Art
  2. Equestrian Portrait of the Emperor Maximilian, by Hans Burgkmair, 1508
    Equestrian Portrait of the Emperor MaximilianHans Burgkmair, 1508Courtesy of the Cleveland Museum of Art
  3. Death of the Virgin, mid-1500s
    Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art
  4. Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560
    Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of tempera on panel, transferred to canvas.
    Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    Virgin and Child with the Young Saint John the BaptistJacopo Bassano, 1560–65Courtesy of the Art Institute of Chicago
  3. The Nativity, by Giorgio Ghisi, 1553
    The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art
  4. A work made of tempera on panel.
    Saint John the Baptist Entering the WildernessGiovanni di Paolo, 1455–60Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Saint Sebastian, by Perugino, c. 1493
    Saint SebastianPerugino, c. 1493Courtesy of the Cleveland Museum of Art
  2. This is a drawing of two armored knights on horseback during a joust. It depicts two horses with riders clad in full armor, including helmets with decorative details. Each knight holds a lance, poised as if they are about to engage in a jousting match. The horses are also adorned in armor, with a colorful caparison draped over them. On the ground, there are lances and a halberd seen in the foreground. There are also disembodied arms and hands illustrated in the composition, adding an abstract element. The style is illustrative, capturing the medieval theme of chivalric tournaments.
    Mock Joust of War with Flying Shields and Without BevorsUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
  3. The Power of Women: The Poet Virgil Suspended in a Basket, by Lucas van Leyden, c. 1512
    The Power of Women: The Poet Virgil Suspended in a BasketLucas van Leyden, c. 1512Courtesy of the Cleveland Museum of Art
  4. Adoration of the Shepherds, c. 1500
    Adoration of the ShepherdsUnrecorded Italian maker, c. 1500Courtesy of the Cleveland Museum of Art