Renaissance








Works in this room
European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.
Section 1, north wall

Death of the VirginUnrecorded Italian maker, mid-1500sCourtesy of the Cleveland Museum of Art 
Virgin and Child with John the Baptist and AngelsPietro del Donzello, c. 1500Courtesy of the Cleveland Museum of Art 
A Drapery Study for the Knees of a Seated Allegorical Figure of Charity (recto); Bust of a Naked Allegorical Figure of Charity with Two Putti (verso)Giovanni Antonio di Francesco Sogliani, 1520/30Courtesy of the Art Institute of Chicago 
Mock Joust of War with Flying Shields and Without BevorsUnrecorded German maker, c.1512-1515Courtesy National Gallery of Art, Washington
Section 1, south wall

Studies of a Seated Female, Child's Head, and Three Studies of a BabyRaphael, c. 1507–8Courtesy of the Cleveland Museum of Art 
Christ and the Woman of SamariaPerugino, 1500–05Courtesy of the Art Institute of Chicago 
Saint SebastianPerugino, c. 1493Courtesy of the Cleveland Museum of Art 
Virgin and ChildBernardino Luini, 1500sCourtesy of the Cleveland Museum of Art
Section 2, south wall

Angelica and MedoroGiorgio Ghisi, c. 1570Courtesy of the Art Institute of Chicago 
The Circumcision of Christ, from The Life of the VirginAlbrecht Dürer, c. 1505, published 1511Courtesy of the Art Institute of Chicago 
The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago 
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti, 1510–11Courtesy of the Cleveland Museum of Art
Section 2, north wall

Portrait of Roberto CastiglioneUnrecorded Italian maker, early 1600sCourtesy of the Cleveland Museum of Art 
Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art
Section 3, north wall

Ornament in Hexagonal ShapeUnrecorded Italian maker, c. 1480/1510Courtesy National Gallery of Art, Washington 
Scenes from the Life of Saint John the BaptistBartolomeo di Giovanni, 1490/95Courtesy of the Art Institute of Chicago