Floor plan

East wing: The Nineteenth CenturyThe Hudson River School

The Hudson River School

CENTURY PLANT, JAMAICA
View near Newport, by John Frederick Kensett, 1860s
Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856
ITALIAN FARMHOUSE
The Aegean Sea, by Frederic Edwin Church, ca. 1877
Above Tower Falls, Yellowstone, by Thomas Moran, 1872
THE TETONS, SHOWN FROM THE PLAIN

The works in this room are listed below.

Works in this room

American landscape painters of the mid-1800s who made wilderness their grand subject.

Section 1, north wall

  1. CENTURY PLANT, JAMAICA
    Century Plant, JamaicaFrederic Edwin Church, May–September 1865Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. View near Newport, by John Frederick Kensett, 1860s
    View near NewportJohn Frederick Kensett, 1860sCourtesy of the Cleveland Museum of Art
  3. Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856
    Niagara Falls by MoonlightFrederic Edwin Church, probably 1856Courtesy of the Cleveland Museum of Art
  4. ITALIAN FARMHOUSE
    Italian FarmhouseFrederic Edwin Church, September 1868 - April 1869Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 1, south wall

  1. The Aegean Sea, by Frederic Edwin Church, ca. 1877
    The Aegean SeaFrederic Edwin Church, ca. 1877Courtesy of The Metropolitan Museum of Art
  2. Above Tower Falls, Yellowstone, by Thomas Moran, 1872
    Above Tower Falls, YellowstoneThomas Moran, 1872Courtesy of the Smithsonian American Art Museum
  3. THE TETONS, SHOWN FROM THE PLAIN
    The Tetons, Shown from the PlainThomas Moran, August 28, 1879Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, south wall

  1. MT. KATAHDIN FROM SOUTH TURNER MOUNTAIN, MAINE
    Mt. Katahdin from South Turner Mountain, MaineFrederic Edwin Church, 1877–78Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. AMERICAN PLAINS WITH MOUNTAIN RANGE IN THE DISTANCE
    American Plains with Mountain Range in the DistanceThomas Moran, before 1872Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. Albert Bierstadt
    Gathering StormAlbert Bierstadt, (c. 1857-1858)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  4. October in the Marshes, by John Frederick Kensett, 1872
    October in the MarshesJohn Frederick Kensett, 1872Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. View of Florence, by Thomas Cole, 1837
    View of FlorenceThomas Cole, 1837Courtesy of the Cleveland Museum of Art
  2. This painting features a landscape with a calm body of water dominating the lower portion. The view is slightly elevated, overlooking the water that reflects the surrounding greenery and sky. Two white swans glide on the river, which is surrounded by green trees and shrubs. In the distance, a large tan castle with multiple towers and crenellations stands above the trees. In front of the castle, on the right side of the painting, a smaller structure with white walls and red roofs sits, surrounded by greenery. One or two people appear to sit out in front of it, and on the right sheep lay in the soft green grass. The color palette includes deep greens, soft browns, and varying shades of blue.
    Warwick Castle, EnglandJasper Francis Cropsey, 1857Courtesy National Gallery of Art, Washington
  3. Mountains in Colorado, by John Frederick Kensett, 1870
    Mountains in ColoradoJohn Frederick Kensett, 1870Courtesy of the Smithsonian American Art Museum

Section 3, north wall

  1. The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers. In the distance, a wooden dock extends into the lake on the left, and a person wearing red appears to sit or stand with their back to us.
    Landing at Sabbath Day PointJohn Frederick Kensett, c. 1853Courtesy National Gallery of Art, Washington
  2. Twilight in the Wilderness, by Frederic Edwin Church, 1860
    Twilight in the WildernessFrederic Edwin Church, 1860Courtesy of the Cleveland Museum of Art