Floor plan

East wing: The Nineteenth CenturyThe Hudson River School

The Hudson River School

CENTURY PLANT, JAMAICA
Mountains in Colorado, by John Frederick Kensett, 1870
The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World), by Thomas Cole, ca. 1846-1848
Lake George, by John Frederick Kensett, 1869
Eaton's Neck, Long Island, by John Frederick Kensett, 1872
Above Tower Falls, Yellowstone, by Thomas Moran, 1872
Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856

The works in this room are listed below.

Works in this room

American landscape painters of the mid-1800s who made wilderness their grand subject.

Section 1, north wall

  1. CENTURY PLANT, JAMAICA
    Century Plant, JamaicaFrederic Edwin Church, May–September 1865Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Mountains in Colorado, by John Frederick Kensett, 1870
    Mountains in ColoradoJohn Frederick Kensett, 1870Courtesy of the Smithsonian American Art Museum
  3. The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World), by Thomas Cole, ca. 1846-1848
    The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World)Thomas Cole, ca. 1846-1848Courtesy of the Smithsonian American Art Museum
  4. Lake George, by John Frederick Kensett, 1869
    Lake GeorgeJohn Frederick Kensett, 1869Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Eaton's Neck, Long Island, by John Frederick Kensett, 1872
    Eaton's Neck, Long IslandJohn Frederick Kensett, 1872Courtesy of The Metropolitan Museum of Art
  2. Above Tower Falls, Yellowstone, by Thomas Moran, 1872
    Above Tower Falls, YellowstoneThomas Moran, 1872Courtesy of the Smithsonian American Art Museum
  3. Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856
    Niagara Falls by MoonlightFrederic Edwin Church, probably 1856Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Twilight in the Wilderness, by Frederic Edwin Church, 1860
    Twilight in the WildernessFrederic Edwin Church, 1860Courtesy of the Cleveland Museum of Art
  2. View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836
    View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The OxbowThomas Cole, 1836Courtesy of The Metropolitan Museum of Art
  3. AMERICAN PLAINS WITH MOUNTAIN RANGE IN THE DISTANCE
    American Plains with Mountain Range in the DistanceThomas Moran, before 1872Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, north wall

  1. This painting features a landscape with a calm body of water dominating the lower portion. The view is slightly elevated, overlooking the water that reflects the surrounding greenery and sky. Two white swans glide on the river, which is surrounded by green trees and shrubs. In the distance, a large tan castle with multiple towers and crenellations stands above the trees. In front of the castle, on the right side of the painting, a smaller structure with white walls and red roofs sits, surrounded by greenery. One or two people appear to sit out in front of it, and on the right sheep lay in the soft green grass. The color palette includes deep greens, soft browns, and varying shades of blue.
    Warwick Castle, EnglandJasper Francis Cropsey, 1857Courtesy National Gallery of Art, Washington
  2. ITALIAN FARMHOUSE
    Italian FarmhouseFrederic Edwin Church, September 1868 - April 1869Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. View of Florence, by Thomas Cole, 1837
    View of FlorenceThomas Cole, 1837Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. View near Newport, by John Frederick Kensett, 1860s
    View near NewportJohn Frederick Kensett, 1860sCourtesy of the Cleveland Museum of Art
  2. THE TETONS, SHOWN FROM THE PLAIN
    The Tetons, Shown from the PlainThomas Moran, August 28, 1879Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. The Valley of Wyoming, by Jasper Francis Cropsey, 1865
    The Valley of WyomingJasper Francis Cropsey, 1865Courtesy of The Metropolitan Museum of Art