Floor plan

Time and placeThe 19th century

The 19th century

Inside the Bar, by Winslow Homer, 1883
A pale-skinned child wearing a short-sleeved red dress and a white bonnet stands before a shadowy green forest under dark clouds in this vertical portrait painting. The child’s over-large head is out of scale with the rest of her body. She looks toward us with brown eyes in her wide, round-jawed face. She has a broad nose, and her pale lips are set in a line. Her lace bonnet lines her black hair like frothy seafoam and is tied with spring-green bows at the top and under her right ear, to our left. The low neckline of her crimson dress is lined with a wide white ruffle. Red fabric covers her hands, which are gathered in front of her waist. Gray clouds sweep over the hazy green forest in the background. A gnarled tree grows up the left side of the painting, framing the girl.
Waterfall at Terni, by Jean Baptiste Camille Corot, 1826
The image shows a dense, forested area with towering trees. The composition leads the eye along a pathway into the distance, without a distinct horizon line. The intricate brushstrokes depict the texture and foliage of the trees, suggesting movement and light filtering through the leaves. The color palette is rich and earthy, with shades of green, brown, yellow, and orange, creating a vibrant yet tranquil atmosphere emphasizing light and shadow.
October in the Marshes, by John Frederick Kensett, 1872
A sketchy black-and-white oil painting of a dozen horses walking in a circle, some with riders. All of the figures are shadowy.
Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870
MT. KATAHDIN FROM SOUTH TURNER MOUNTAIN, MAINE

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. Inside the Bar, by Winslow Homer, 1883
    Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art
  2. A pale-skinned child wearing a short-sleeved red dress and a white bonnet stands before a shadowy green forest under dark clouds in this vertical portrait painting. The child’s over-large head is out of scale with the rest of her body. She looks toward us with brown eyes in her wide, round-jawed face. She has a broad nose, and her pale lips are set in a line. Her lace bonnet lines her black hair like frothy seafoam and is tied with spring-green bows at the top and under her right ear, to our left. The low neckline of her crimson dress is lined with a wide white ruffle. Red fabric covers her hands, which are gathered in front of her waist. Gray clouds sweep over the hazy green forest in the background. A gnarled tree grows up the left side of the painting, framing the girl.
    Portrait of a ChildEdward Hicks, c. 1840Courtesy National Gallery of Art, Washington
  3. Waterfall at Terni, by Jean Baptiste Camille Corot, 1826
    Waterfall at TerniJean Baptiste Camille Corot, 1826Courtesy of The Metropolitan Museum of Art
  4. The image shows a dense, forested area with towering trees. The composition leads the eye along a pathway into the distance, without a distinct horizon line. The intricate brushstrokes depict the texture and foliage of the trees, suggesting movement and light filtering through the leaves. The color palette is rich and earthy, with shades of green, brown, yellow, and orange, creating a vibrant yet tranquil atmosphere emphasizing light and shadow.
    Rays of Sunlight Striking a Woodland PathFriedrich Salathé, c. 1815Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. October in the Marshes, by John Frederick Kensett, 1872
    October in the MarshesJohn Frederick Kensett, 1872Courtesy of The Metropolitan Museum of Art
  2. A sketchy black-and-white oil painting of a dozen horses walking in a circle, some with riders. All of the figures are shadowy.
    Study for The Horse FairRosa Bonheur, c. 1850Courtesy of the Art Institute of Chicago
  3. Vehicles on the Streets of Tokyo, by Utagawa Yoshitora, 1870
    Vehicles on the Streets of TokyoUtagawa Yoshitora, 1870Courtesy of The Metropolitan Museum of Art
  4. MT. KATAHDIN FROM SOUTH TURNER MOUNTAIN, MAINE
    Mt. Katahdin from South Turner Mountain, MaineFrederic Edwin Church, 1877–78Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, south wall

  1. This image depicts a man from the waist up. He is seated, slightly turned to his right, while facing the viewer. The man has a composed expression, prominent cheekbones, and a slightly pointed nose. His dark brown hair is styled in a classic early 19th-century manner, with curls around the sides and forehead. He is dressed in a dark blue coat with gold buttons, a yellow waistcoat, a high-collared white shirt, and a decorative pin. In his right hand, he holds a piece of folded paper with writing on it. The background is an indistinct swirl of darker colors.
    Robert G. L. De PeysterSamuel Lovett Waldo, 1828Courtesy National Gallery of Art, Washington
  2. Landscape, by J. Francis Murphy, ca. 1880-1890
    LandscapeJ. Francis Murphy, ca. 1880-1890Courtesy of the Smithsonian American Art Museum
  3. A work made of black crayon and charcoal, on ivory laid paper.
    Three GossipsHonoré Daumier, 1865/1867Courtesy of the Art Institute of Chicago
  4. A work made of oil on canvas.
    The FestivalSir John Edward Poynter, 1875Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.
    Stoke-by-NeylandDavid Lucas, 1830Courtesy National Gallery of Art, Washington
  2. Impressionist painting of two girls on balcony, bright flower hat, knitting basket.
    Two Sisters (On the Terrace)Pierre-Auguste Renoir, 1881Courtesy of the Art Institute of Chicago
  3. Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.
    At the Moulin RougeHenri de Toulouse-Lautrec, 1892–95Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    Venice from the Riva looking toward the Piazzale San MarcoFélix Ziem, c. 1890Courtesy of the Art Institute of Chicago