Floor plan

Time and placeThe 16th century

The 16th century

Phaeton, from "The Four Disgracers", by Hendrick Goltzius, 1588
Painting of Judith, naked, holding sword, with head of Holophernes.
The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.
Portrait of a Young Man, by Dosso Dossi, c. 1530
The Musicians, by Caravaggio, 1597
Portrait of the artist’s great-granduncle Yizhai at the age of eighty-five, by Ruan Zude, dated 1561 or 1621

The works in this room are listed below.

Works in this room

Works made in the 16th century, anywhere in the world.

First room, north wall

  1. Phaeton, from "The Four Disgracers", by Hendrick Goltzius, 1588
    Phaeton, from "The Four Disgracers"Hendrick Goltzius, 1588Courtesy of The Metropolitan Museum of Art
  2. Painting of Judith, naked, holding sword, with head of Holophernes.
    JudithJan Sanders van Hemessen, c. 1540Courtesy of the Art Institute of Chicago
  3. The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.
    The Boulder Crowned with TreesHerman van SwaneveltCourtesy National Gallery of Art, Washington

First room, south wall

  1. Portrait of a Young Man, by Dosso Dossi, c. 1530
    Portrait of a Young ManDosso Dossi, c. 1530Courtesy of the Cleveland Museum of Art
  2. The Musicians, by Caravaggio, 1597
    The MusiciansCaravaggio, 1597Courtesy of The Metropolitan Museum of Art
  3. Portrait of the artist’s great-granduncle Yizhai at the age of eighty-five, by Ruan Zude, dated 1561 or 1621
    Portrait of the artist’s great-granduncle Yizhai at the age of eighty-fiveRuan Zude, dated 1561 or 1621Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. This is a drawing of a heraldic emblem. The image shows a centaur-like figure holding a bow and arrow, with leaves around its head. Below, there is a shield divided into two sections: the upper part shows shapes resembling birds, while the lower part shows a hound-like animal in a running pose. The shield is surrounded by swirling acanthus-like leaves, with additional decorative elements and a blank scroll space below it.
    CrestMichel Le BlonCourtesy National Gallery of Art, Washington
  2. Portrait of a Couple, c. 1580–88
    Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art
  3. Virgin and Child with Saints, c. 1510
    Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art

Second room, north wall

  1. "Portrait of Maharaja Bhim Kanwar", Folio from the Shah Jahan Album, by Nanha, verso: ca. 1615–29; recto: ca. 1540
    "Portrait of Maharaja Bhim Kanwar", Folio from the Shah Jahan AlbumNanha, verso: ca. 1615–29; recto: ca. 1540Courtesy of The Metropolitan Museum of Art
  2. Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, by Niccolò della Casa, 1544
    Portrait of Cosimo de' Medici in full armor, his left hand resting on a staffNiccolò della Casa, 1544Courtesy of The Metropolitan Museum of Art
  3. "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art
  4. Arm of Eve, by Albrecht Dürer, 1507
    Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art

Third room, north wall

  1. Still life painting of dead waterfowl and vegetables in windowsill.
    Still Life with Game FowlJuan Sánchez Cotán, c. 1600–3Courtesy of the Art Institute of Chicago
  2. The Nativity, by Giorgio Ghisi, 1553
    The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art
  3. A work made of engraving on two joined sheets of ivory laid paper.
    Fortune Distributing her GiftsJan Harmensz. Muller, 1590Courtesy of the Art Institute of Chicago