Floor plan

West wing: Old MastersThe Dutch Golden Age

The Dutch Golden Age

Portrait of a Woman, by Govaert Flinck, 1646
A work made of engraving on three joined sheets of laid paper.
The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.
A work made of oil on panel.
A Cottage in the Woods, by Meindert Hobbema, c. 1662
A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

North wall

  1. Portrait of a Woman, by Govaert Flinck, 1646
    Portrait of a WomanGovaert Flinck, 1646Courtesy of the Cleveland Museum of Art
  2. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago
  3. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art
  4. A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.
    ApolloJan Harmensz. Muller, c. 1600-1620Courtesy of the Art Institute of Chicago

East wall

  1. A work made of oil on panel.
    Alpheus and ArethusaMoses van Uyttenbroeck, 1626Courtesy of the Art Institute of Chicago
  2. A Cottage in the Woods, by Meindert Hobbema, c. 1662
    A Cottage in the WoodsMeindert Hobbema, c. 1662Courtesy of the Cleveland Museum of Art
  3. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  4. A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
    A View of Bracciano with the Church of S. Maria AssuntaBartholomeus Breenberg, c. 1619–33Courtesy of the Cleveland Museum of Art

West wall

  1. A work made of engraving in black on cream laid paper.
    The Apollo Belvedere, plate 3 from Three Famous Antique SculpturesHendrick Goltzius, c. 1592, printed c. 1617Courtesy of the Art Institute of Chicago
  2. The Mocking of Ceres, by Hendrik Goudt, 1610
    The Mocking of CeresHendrik Goudt, 1610Courtesy of the Cleveland Museum of Art
  3. A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632
    A Young Man with a ChainRembrandt van Rijn, c. 1629 or 1632Courtesy of the Cleveland Museum of Art
  4. A work made of engraving on two joined sheets of ivory laid paper.
    Fortune Distributing her GiftsJan Harmensz. Muller, 1590Courtesy of the Art Institute of Chicago

South wall

  1. A work made of oil on panel.
    Still LifePieter Claesz, c. 1625Courtesy of the Art Institute of Chicago
  2. A work made of watercolor and opaque watercolor on cream laid paper.
    Megasoma Elephas or Megaceras Jason and Six Other InsectsPieter Holsteyn, the younger, 1640/80Courtesy of the Art Institute of Chicago
  3. A work made of engraving in black on cream laid paper.
    Drunken SilenusJonas Suyderhoef, 1642Courtesy of the Art Institute of Chicago
  4. Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s
    Salome with the Head of Saint John the BaptistJacob Duck, mid-1600sCourtesy of the Cleveland Museum of Art