Floor plan

West wing: Old MastersThe Dutch Golden Age

The Dutch Golden Age

Enclosed Valley, by Hercules Seghers, c. 1623–30
A work made of engraving on two joined sheets of ivory laid paper.
A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
A work made of watercolor and opaque watercolor on cream laid paper.
Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
Portrait of a Woman, by Govaert Flinck, 1646
A work made of engraving on three joined sheets of laid paper.
A work made of engraving in black on cream laid paper.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

North wall

  1. Enclosed Valley, by Hercules Seghers, c. 1623–30
    Enclosed ValleyHercules Seghers, c. 1623–30Courtesy of the Cleveland Museum of Art
  2. A work made of engraving on two joined sheets of ivory laid paper.
    The Wedding at CanaHendrick Goltzius, c. 1590-1610Courtesy of the Art Institute of Chicago
  3. A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
    A View of Bracciano with the Church of S. Maria AssuntaBartholomeus Breenberg, c. 1619–33Courtesy of the Cleveland Museum of Art
  4. A work made of watercolor and opaque watercolor on cream laid paper.
    A Horseshoe CrabPieter Holsteyn, the younger, 1640/80Courtesy of the Art Institute of Chicago

East wall

  1. Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
    Sleeping Peasants near Fields (Parable of the Weeds)Simon de Vlieger, 1650–53Courtesy of the Cleveland Museum of Art
  2. Portrait of a Woman, by Govaert Flinck, 1646
    Portrait of a WomanGovaert Flinck, 1646Courtesy of the Cleveland Museum of Art
  3. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago
  4. A work made of engraving in black on cream laid paper.
    Christ Raises the Dead Son of the Widow of NainJacob Matham, 1593/94Courtesy of the Art Institute of Chicago

West wall

  1. The Witch (Night Piece), by Jan van de Velde II, 1626
    The Witch (Night Piece)Jan van de Velde II, 1626Courtesy of the Cleveland Museum of Art
  2. Landscape with a Windmill, by Jacob van Ruisdael, 1646
    Landscape with a WindmillJacob van Ruisdael, 1646Courtesy of the Cleveland Museum of Art
  3. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  4. A work made of pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper.
    The Coronation of the Virgin and The Flight into EgyptJan de Bisschop, 1648/71Courtesy of the Art Institute of Chicago

South wall

  1. A work made of oil on copper.
    David Slaying GoliathDutch, 1600–50Courtesy of the Art Institute of Chicago
  2. A work made of oil on panel.
    The Judgement of ZaleucusOtto van Veen, c. 1605Courtesy of the Art Institute of Chicago
  3. A work made of oil on canvas.
    The Music LessonGerard ter Borch the Younger, c. 1670Courtesy of the Art Institute of Chicago
  4. A work made of engraving on three joined sheets of ivory laid paper.
    Christ at the Feast of SimonJan Saenredam, c. 1590-1600Courtesy of the Art Institute of Chicago