Floor plan

West wing: Old MastersThe Dutch Golden Age

The Dutch Golden Age

A work made of oil on panel.
A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
A work made of oil on copper.
The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s
A work made of oil on panel.
A work made of woodcut on three joined sheets of ivory laid paper.
A work made of engraving on ivory laid paper.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

North wall

  1. A work made of oil on panel.
    The Judgement of ZaleucusOtto van Veen, c. 1605Courtesy of the Art Institute of Chicago
  2. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  3. A work made of oil on copper.
    David Slaying GoliathDutch, 1600–50Courtesy of the Art Institute of Chicago
  4. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art

East wall

  1. Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s
    Salome with the Head of Saint John the BaptistJacob Duck, mid-1600sCourtesy of the Cleveland Museum of Art
  2. A work made of oil on panel.
    Alpheus and ArethusaMoses van Uyttenbroeck, 1626Courtesy of the Art Institute of Chicago
  3. A work made of woodcut on three joined sheets of ivory laid paper.
    The Mocking of ChristWerner van den Valckert, c. 1620Courtesy of the Art Institute of Chicago
  4. A work made of engraving on ivory laid paper.
    Hercules Slaying the HydraJan Harmensz. Muller, c. 1602Courtesy of the Art Institute of Chicago

West wall

  1. Interior of a Church, by Emanuel de Witte, c. 1680
    Interior of a ChurchEmanuel de Witte, c. 1680Courtesy of the Cleveland Museum of Art
  2. Portrait of a Woman, by Govaert Flinck, 1646
    Portrait of a WomanGovaert Flinck, 1646Courtesy of the Cleveland Museum of Art
  3. Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
    Sleeping Peasants near Fields (Parable of the Weeds)Simon de Vlieger, 1650–53Courtesy of the Cleveland Museum of Art
  4. Portrait of Elizabeth Spiegel, by Dirck Dircksz. Santvoort, 1639
    Portrait of Elizabeth SpiegelDirck Dircksz. Santvoort, 1639Courtesy of the Cleveland Museum of Art

South wall

  1. English Warship Firing a Salute, 1690
    English Warship Firing a SaluteUnrecorded Dutch maker, 1690Courtesy of the Cleveland Museum of Art
  2. A work made of engraving in black on cream laid paper.
    The Apollo Belvedere, plate 3 from Three Famous Antique SculpturesHendrick Goltzius, c. 1592, printed c. 1617Courtesy of the Art Institute of Chicago
  3. Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645
    Study of a Tulip (Wit en root boode)Pieter Holsteyn II, c. 1645Courtesy of the Cleveland Museum of Art
  4. A work made of engraving on two joined sheets of ivory laid paper.
    The Wedding at CanaHendrick Goltzius, c. 1590-1610Courtesy of the Art Institute of Chicago