Baroque and Rococo






Works in this room
Drama, movement and deep shadow in the 1600s, then the light, playful decoration of eighteenth-century Europe.
First room, north wall

The DancePietro Longhi, c. 1750Courtesy of the Art Institute of Chicago 
Holy Family with Saint Elizabeth and Saint John the BaptistElisabetta Sirani, 1650/60Courtesy of the Art Institute of Chicago 
Salome with the Head of Saint John the BaptistGuido Reni, c. 1639–42Courtesy of the Art Institute of Chicago
First room, south wall

Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepolo, c. 1742–45Courtesy of the Art Institute of Chicago 
View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli, from Views of RomeGiovanni Battista Piranesi, 1770Courtesy of the Art Institute of Chicago 
Equestrian Ballet in the Amphitheater of the Boboli GardensStefano della Bella, 1661Courtesy of the Art Institute of Chicago
Second room, south wall

DanaëOrazio Gentileschi, c. 1623Courtesy of the Cleveland Museum of Art 
Adam and Eve in ParadiseFrancesco Solimena, c. 1700Courtesy of the Art Institute of Chicago
Second room, north wall

The Creation of AdamGiovanni Benedetto Castiglione, c. 1645/50Courtesy of the Art Institute of Chicago 
View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of RomeGiovanni Battista Piranesi, 1769, published 1800–07Courtesy of the Art Institute of Chicago 
Jacopo ButeraFrancesco Solimena, c. 1695Courtesy of the Art Institute of Chicago
Third room, north wall

The Ecstasy of Saint FrancisGiovanni Baglione, 1601Courtesy of the Art Institute of Chicago 
The Sacrifice of IsaacFrancesco Guardi, 1750sCourtesy of the Cleveland Museum of Art 
The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi, 1761Courtesy of the Art Institute of Chicago
Third room, south wall

Putto Holding StaffGuido Reni, n.d.Courtesy of the Art Institute of Chicago 
One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian, 1675-1699Courtesy of Cooper Hewitt, Smithsonian Design Museum