Floor plan

Artist galleriesUnrecorded makers of India

Unrecorded makers of India

A work made of opaque watercolor and gold on paper.
Battle between monkeys and demons, from the “Shangri” Ramayana, c. 1700
A Lady Playing the Tanpura, ca. 1735
Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
Krishna in the Form of Shri Nathji, ca. 1840
Mahadevi, the Great Goddess, ca. 1725
Celebrations of Krishna's Birth, from a Bhagavata Purana, c. 1725–30
Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana, c. 1700–25

The works in this room are listed below.

Works in this room

Works whose makers the museums don't name, made in India.

First room, north wall

  1. A work made of opaque watercolor and gold on paper.
    Holi Festival in a Walled Garden with CelebrantsUnrecorded Indian maker, c. 1764Courtesy of the Art Institute of Chicago
  2. Battle between monkeys and demons, from the “Shangri” Ramayana, c. 1700
    Battle between monkeys and demons, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700Courtesy of the Cleveland Museum of Art
  3. A Lady Playing the Tanpura, ca. 1735
    A Lady Playing the TanpuraUnrecorded Indian maker, ca. 1735Courtesy of The Metropolitan Museum of Art
  4. Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
    Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art

First room, south wall

  1. Krishna in the Form of Shri Nathji, ca. 1840
    Krishna in the Form of Shri NathjiUnrecorded Indian maker, ca. 1840Courtesy of The Metropolitan Museum of Art
  2. Mahadevi, the Great Goddess, ca. 1725
    Mahadevi, the Great GoddessUnrecorded Indian maker, ca. 1725Courtesy of The Metropolitan Museum of Art
  3. Celebrations of Krishna's Birth, from a Bhagavata Purana, c. 1725–30
    Celebrations of Krishna's Birth, from a Bhagavata PuranaUnrecorded Indian maker, c. 1725–30Courtesy of the Cleveland Museum of Art
  4. Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana, c. 1700–25
    Hanuman spies Sita in the Ashoka Grove, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700–25Courtesy of the Cleveland Museum of Art

Second room, south wall

  1. Maharaja Bijay Singh in His Harem, ca. 1770
    Maharaja Bijay Singh in His HaremUnrecorded Indian maker, ca. 1770Courtesy of The Metropolitan Museum of Art
  2. Green Parrot, c. 1820
    Green ParrotUnrecorded Indian maker, c. 1820Courtesy of the Cleveland Museum of Art
  3. The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
    The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art
  4. A work made of opaque watercolor on paper.
    Royal Women Feeding FishUnrecorded Indian maker, c. 1740Courtesy of the Art Institute of Chicago

Second room, north wall

  1. Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events), 1670–80
    Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events)Unrecorded Indian maker, 1670–80Courtesy of the Cleveland Museum of Art
  2. Toilette of Radha, c. 1810–20
    Toilette of RadhaUnrecorded Indian maker, c. 1810–20Courtesy of the Cleveland Museum of Art
  3. The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560
    The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  4. A work made of opaque watercolor and gold on paper.
    Ruler Entertained by Dancers in a Paradise GardenUnrecorded Indian maker, Late 18th centuryCourtesy of the Art Institute of Chicago