Floor plan

Style galleriesWatercolours of the 19th century

Watercolours of the 19th century

A work made of black crayon and charcoal, on ivory laid paper.
A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.
A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.
A work made of black and white chalk on blue wove paper.
A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.
A work made of oil on paperboard.
Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885
Pastel drawing of two figures in a sailboat, bright multi-colored clouds.

The works in this room are listed below.

Works in this room

Watercolours made in the 19th century, from every museum.

First room, north wall

  1. A work made of black crayon and charcoal, on ivory laid paper.
    Three GossipsHonoré Daumier, 1865/1867Courtesy of the Art Institute of Chicago
  2. A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.
    "As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly MagazineFrederic Remington, n.d.Courtesy of the Art Institute of Chicago
  3. A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.
    Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)Eugène Delacroix, 1816Courtesy of the Art Institute of Chicago
  4. A work made of black and white chalk on blue wove paper.
    SeasideCharles François Eustache, 1866Courtesy of the Art Institute of Chicago

First room, south wall

  1. A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.
    Study for "The Blue Girl: Portrait of Miss Elinor Leyland"James McNeill Whistler, c. 1879Courtesy of the Art Institute of Chicago
  2. A work made of oil on paperboard.
    Lane Scene at NightJohn Atkinson Grimshaw, 1872Courtesy of the Art Institute of Chicago
  3. Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885
    Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art
  4. Pastel drawing of two figures in a sailboat, bright multi-colored clouds.
    Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago

Second room, south wall

  1. Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.
    Statue of the Madonna in the MountainsCaspar David Friedrich, 1804Courtesy of the Art Institute of Chicago
  2. A work made of graphite on cream laid paper (pieced).
    Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago
  3. The Dancing Lesson, by Thomas Eakins, 1878
    The Dancing LessonThomas Eakins, 1878Courtesy of The Metropolitan Museum of Art
  4. A work made of transfer drawing in brownish-black ink (recto); graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper.
    Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago

Second room, north wall

  1. A work made of pastel on brown paper, laid down on board.
    The Call of the StagRosa Bonheur, 1890sCourtesy of the Art Institute of Chicago
  2. Color pastel drawing of ballerinas in tutus on stage, watched by audience.
    Ballet at the Paris OpéraEdgar Degas, 1877Courtesy of the Art Institute of Chicago
  3. View of South Street, from Maiden Lane, New York City, by William James Bennett, ca. 1827
    View of South Street, from Maiden Lane, New York CityWilliam James Bennett, ca. 1827Courtesy of The Metropolitan Museum of Art
  4. Wild Roses and Irises, by John La Farge, 1887
    Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art